Vongon Paragraphs II Resonant Low Pass Filter Wave Form Generator

£479.00

This is a New Vongon Paragraphs II Resonant Low Pass Filter Wave Form Generator from Vongon, listed in Specialist Effects Pedals on Just Pedals. Read More below.

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Filter, modulate, and harmonically shape tone with powerful synth-style effects. Plug in your guitar, bass or even keyboards into the Paragraphs II and sculpt tone your way with the intriguing hands-on interface.

Paragraphs II is the latest generation of VONGON’s four-pole resonant low-pass filter effect. It now features stereo inputs and outputs, with a focus on modulation functions that respond to your playing dynamics and add stereo depth.

Key Features

  • Four-pole resonant low-pass filter with stereo inputs and outputs
  • Rich ladder-style filter for harmonic tone shaping
  • Improved signal-to-noise ratio for clean, clear tones ipolar envelope generator with rise and fall controls (5 ms to 4 seconds)
  • Dynamic auto-wah and ducking effects with follower mode
  • One-shot envelope triggers with adjustable threshold in trigger mode
  • Rhythmic pulsing modulation with cycle mode
  • LFO inverted between left and right channels for natural widening effect
  • LFO with sine wave or smoothed random-style modulation (0.1Hz to 30Hz)
  • CV input for filter cutoff modulation, supports audio rate signals
  • MIDI input for control of every parameter and access to 9 onboard presets
  • Adjustable for instrument or line-level inputs
  • Standard 9-volt, center-negative power supply compatibility
  • Housed in a single block of walnut, CNC routed, hand sanded & polished

Complex Tone Shaping Capabilities

At the core of paragraphs II is the same rich ladder-style filter found in our replay synthesizer, offering exceptional harmonic tone shaping with precise control. This low-pass filter excels at adding character to harmonically complex, fuzzed, and distorted signals. Its improved signal-to-noise ratio also ensures a clean, clear tone for more pristine sources like clean guitar, bass, or electric keyboards.

Envelope Filtering & Pulsing Modulation

The bipolar envelope generator can dynamically open or close the filter based on your playing dynamics, processing the left and right inputs separately to create a complex stereo field. With independent rise and fall controls spanning from 5 milliseconds up to 4 seconds, you can achieve everything from sharp, percussive accents to slowly evolving swells and fades. In follower mode, track or inversely track the filter frequency to your playing volume, generating dynamic auto-wah and ducking effects. The trigger mode delivers a one-shot envelope when your playing surpasses an adjustable threshold, offering a percussive pluck or smooth fade at the onset of your sound. Additionally, the cycle mode provides rhythmic, pulsing modulation.

Low Frequency Oscillator

The LFO (Low Frequency Oscillator) operates 180° out of phase between the left and right channels, creating a natural widening effect. With 0.1Hz to 100Hz of sine wave or smoothed random-style modulation, it offers everything from slow, subtle motion to rapid tremolo and ring modulation style effects.

Connectivity

The effect connects to your instrument with standard 1⁄4” jacks, adjustable to be optimized for instrument or line-level inputs. The control voltage (cv/exp) input modulates the filter cutoff frequency for integrating modular gear or expression pedals. The MIDI input enables remote control of every pedal parameter and access to 9 onboard preset slots. The pedal is powered by standard 9-volt, center-negative style power supplies.

Specifications

  • 165mm x 140mm x 45mm
  • 1⁄4” TS Jacks
  • Input impedance: 1MΩ
  • Output impedance: <1kΩ
  • Power supply: 9 VDC, center-negative
  • Current draw: 200mA
  • 5mm control voltage input (0-3.3 Volts)
  • 5mm MIDI input (Type B)
  • Buffered bypass
  • Soft-touch foot switch

Brand

Vongon

In the current JustPedals catalogue, Vongon is represented by Tremolo & Vibrato Pedals. Current listings include Ultrasheer Stereo Pitch Vibrato and Reverb, Rosetones Polyphonic Resonator Synth and Polyphrase Stereo Echo. That makes the range relevant to players looking for modulation and movement. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Specialist Effects Pedals

Specialist effects alter the signal in ways that do not sit cleanly inside one established family. They may use granular processing, frequency shifting, resonators, freeze or sustain, bit reduction, ring modulation, feedback networks or combinations of several techniques. The relevant distinction is the underlying process, its tracking or latency, and how completely the dry signal can be blended or replaced.

Tags

Bass

Bass products are designed or voiced to retain low-frequency information and usable headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression, crossover points or drive character. A guitar pedal can sometimes work well on bass, but it may remove the fundamental or compress the transient. Check the frequency response, input impedance, output level and dry-signal path with the intended tuning and amplifier.

Filter

Filter effects selectively emphasise or remove parts of the frequency spectrum. Fixed, sweepable, envelope-controlled and resonant designs can create wah-like peaks, synth textures, cocked-wah tones or corrective shaping. Cut-off frequency, resonance, Q, envelope direction, sensitivity and blend determine how the filter follows the playing. Check input level and impedance, instrument compatibility and placement around fuzz or overdrive, since gain before the filter can change both tracking and intensity.

MIDI

MIDI sends, receives or responds to Musical Instrument Digital Interface messages rather than carrying instrument audio itself. Program changes can recall presets, continuous controllers can move parameters and MIDI clock or transport messages can synchronise timing. Check the connector or USB method, channel and message support, clock direction, latency and whether the device needs a separate MIDI host or adapter. MIDI control is powerful, but compatibility depends on the exact messages each product understands.

Presets

Preset-capable products can store and recall effect settings, signal paths or control assignments. The useful differences are the number of locations, whether footswitches or MIDI can recall them, what parameters are saved, how quickly they change and whether trails continue between settings. Check editing, backup, firmware, expression and USB requirements, and confirm that the preset system covers the parameters you need rather than assuming every control is recalled.

Stereo

Stereo products provide separate left and right audio paths, which may widen modulation, preserve independent delays or route a pedalboard into two amplifiers or a mixer. Input and output behaviour is not always symmetrical: some units sum a stereo input, while others create stereo from a mono source. Check whether the effect collapses safely to mono, how the dry signal is routed, the socket format and the destination’s panning and phase requirements.