Tech 21 Geddy Lee Signature 1u RackMount PreAmp – Nearly New – New Tech 21 Guitar Effect Pedal
£405.00
The Tech 21 Geddy Lee Signature 1u RackMount PreAmp takes its inspiration from the versatile SansAmp RPM for a wide range of sonic possibilities. This single rackspace unit is equipped with parallel pre-amping offering two separate internal preamps that run in parallel. Equipped with a drive section based on the legendary SansAmp RPM as well…
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The Tech 21 Geddy Lee Signature 1u RackMount PreAmp – Nearly New is in New condition and made by Tech 21 , it is a great New Nearly – PreAmp RackMount 1u Signature Lee Geddy 21 Tech Guitar Effect Pedal- The Tech 21 Geddy Lee Signature 1u RackMount PreAmp takes its inspiration from the versatile SansAmp RPM for a wide range of sonic possibilities. This single rackspace unit is equipped with parallel pre-amping offering two separate internal preamps that run in parallel. Equipped with a drive section based on the legendary SansAmp RPM as well as a Deep pre-amp section that delivers a low end boost players can achieve a versatile choice of tones in one compact unit. The EQ curve is pre-set to Geddys personal specs and players can use each section independently or blended them externally direct to a mixing board as well as to two amplifiers. With all these fantastic features this powerful compact preamp is ideal for gigging bassists who want that signature Geddy tone. . Available from Just Pedals for only £ 405 Geddy Lee Geddy Lee is a Canadian born musician singer and songwriter primarily known as the lead vocalist and bassist in the Canadian rock group Rush. Lees style and technique on the bass guitar has inspired many bassists over the years and his work is still as popular today as it was in the 1970s. Geddy has used the SansAmp RBI and/or the SansAmp RPM in his rig since 2001 and has recently partnered with Tech 21 to design a signature SansAmp the GED-2112. This challenging collaboration involved minimising powerful equipment into a single rackspace resulting in a new format for Parallel Pre-Amping with two separate internal pre-amps that run in parallel. Two Sections This streamlined preamp features parallel preamping including two separate preamps called Drive and Deep that run in parallel. The Drive pre-amp section is based upon the versatile SansAmp RPM for a wide range of sonic possibilities. The Deep pre-amp section offers low end boost for thick meaty tones that will cut through any mix. For added effect the EQ curve is pre-set to Geddys personal specs. Compact Design The Geddy Lee preamp features a rugged design with a compact profile that will fit in a 1U rackmount for portability and storage. This unit is ideal for any level of player especially gigging musicians. FeaturesDual all-analog SansAmp circuits Drive control for gain and overdrive Blend to adjust the ratio of SansAmp tube amp emulation and your direct signal Sweepable semi-parametric EQ 170 Hz to 3.0 kHz cut/boost 12dB Saturation for low-end beef and separate Level control Deep pre-amp has dedicated 1/4-inch and XLR direct outputs Effect Loop with Mix 50/50 switch Tuner output Uneffected 1/4-inch output Front panel A/B switching to have 2 basses ready to go; dual rear inputs with -20dB input pads
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Tech 21 is a well-respected company in the music industry, particularly known for its innovative guitar effects and amplification products. Founded in 1989 by musician and engineer Andrew Barta, Tech 21 gained prominence with its groundbreaking product, the SansAmp.
This analogue amp emulator was revolutionary because it allowed guitarists to achieve tube amplifier-like tones without using actual tube amplifiers. The SansAmp became a staple in studios and live performances, appreciated for its ability to provide versatile tones, from clean to high-gain, all in a portable, pedal-friendly format.
Over the years, Tech 21 has expanded its product line to include various other effects pedals, rack units, and amplifiers, maintaining a strong reputation for high-quality, analog-based products.
One of the key aspects of Tech 21’s success is its commitment to analogue technology, which many musicians prefer for its warmth and responsiveness. The company’s product line includes popular pedals such as the Fly Rig series, which combines multiple effects into a compact, travel-friendly unit, and the Bass Driver DI, a favourite among bassists for its ability to enhance tone and provide DI capabilities for live and studio applications.
Tech 21’s dedication to innovation and quality has made it a favourite among professional musicians across different genres, including notable artists like Geddy Lee of Rush, who has collaborated with the company to create signature models. With a focus on both practicality and exceptional sound quality, Tech 21 continues to be a leader in the world of guitar effects and amplification.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Preamp
A preamp, short for preamplifier, is an electronic device used to amplify weak signals from guitars, microphones, or other audio sources before they are sent to a power amplifier or recording device. Preamps serve several important functions in audio systems:
1. **Signal Boosting**: The primary function of a preamp is to increase the level of weak signals to line level, which is the standard level used in audio equipment. This boost ensures that the signal remains strong and clear throughout the audio chain, minimizing noise and distortion.
2. **Tone Shaping**: Many preamps feature tone controls such as EQ (equalization) knobs or switches, which allow users to adjust the frequency response of the signal. This can include boosting or cutting specific frequencies to tailor the tone to the desired sound.
3. **Impedance Matching**: Preamps often include input and output impedance controls to match the impedance of the source device (e.g., a guitar pickup) with the impedance of the connected equipment (e.g., an amplifier or mixer). Proper impedance matching ensures optimal signal transfer and prevents signal degradation.
4. **Coloration and Character**: Some preamps are designed to impart a specific sonic character or coloration to the signal, adding warmth, richness, or saturation. This can be achieved through the use of vacuum tubes, transformers, or other analog components known for their unique sonic characteristics.
5. **Gain Staging**: Preamps play a crucial role in gain staging, which involves managing the levels of audio signals at each stage of the signal chain to optimize signal-to-noise ratio and prevent distortion. By adjusting the gain or volume controls on the preamp, users can control the overall level of the signal before it reaches subsequent stages of processing or amplification.
6. **Phantom Power**: Many preamps provide phantom power, which is required to power condenser microphones and certain active DI (direct input) boxes. Phantom power is typically supplied at +48 volts and is transmitted through the microphone cable to power the microphone or DI box.
Preamps are commonly found in a variety of audio equipment, including guitar amplifiers, mixing consoles, recording interfaces, and standalone preamp units. They are essential for ensuring clean, clear, and balanced audio signals in both live sound reinforcement and studio recording applications. Additionally, dedicated guitar preamps are available as standalone units or built into amplifiers, offering guitarists additional control over their tone and signal chain.
Coupled Tones: Expect a a deep clean tone coupled with the edgy crunch output from the SansAmp RPM Parallel Pre-Amping: The GED-2112 rackmount introduced a new framework for Parallel Pre-Amping �having two separate internal pre-amps Versatile SansAmp: The crive pre-amp section is based upon the versatile SansAmp RPM, for a wide range of sonic possibilities Thick Notes: The deep pre-amp section offers thick and meaty tones Multi Use: use either section independently or blend externally direct to a mixing board as well as to two amplifiers
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