The Tech 21 Geddy Lee Signature 1u RackMount is a Preamp that takes its inspiration from the versatile SansAmp RPM – offering a wide range of sonic possibilities. This single rackspace unit is equipped with parallel pre-amping offering two separate internal preamps that run in parallel. Equipped with a drive section based on the legendary RPM as well as a deep pre-amp section that delivers a low end boost – youll be able to achieve a versatile choice of tones in one compact unit. The EQ curve is pre-set to Geddys personal specs giving you the choice to run each section independently or blended externally by connecting them directly to a mixing board and/or multiple amplifiers. With all these fantastic features this powerful compact preamp is ideal for gigging bassists who want that signature Geddy tone. If youre looking for a versatile and powerful preamp that can alter the sound of your set up with an enhanced tone as well as a range of intuitive controls – then look no further.
Tech 21 GLP1 Geddy Lee Rack Pre Amp
This is a New Tech 21 GLP1 Geddy Lee Rack Pre Amp from Tech 21 is in our Bass Effects Pedals category on Just Pedals. Read More below.
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Brand
Tech 21
Tech 21 began in Manhattan in 1989 when designer Andrew Barta introduced SansAmp, an all-analogue amplifier and speaker-emulation circuit for direct recording. SansAmp remains central to the company’s guitar and bass range, appearing in standalone preamps, DI pedals, rack units and Fly Rig products. JustPedals listings include the GT2, Programmable Bass Driver DI, Para Driver DI and Character Series VT Bass DI, as well as the MIDI Mouse. These products shape or send a direct instrument signal, rather than providing only conventional modulation or ambience; compare instrument voicing and output connections.
Category
Bass Effects Pedals
Bass effects are voiced to preserve low-frequency weight and note definition while changing dynamics, harmonics, pitch, modulation or ambience. Many use clean blends, split-frequency processing or bass-specific filter ranges so the fundamental remains solid beneath the effected signal. Headroom, crossover frequency and low-end retention matter because a circuit that suits guitar can thin or overload a bass signal.
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