Strymon Zelzah Multidimensional Phaser Pedal

£329.00

This is a New Strymon Zelzah Multidimensional Phaser Pedal from Strymon, listed in Phaser Pedals on Just Pedals. Read More below.

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Strymon has expanded its acclaimed family of effects pedals with the Zelzah multidimensional phaser. Boasting two independent 4-stage and 6-stage phaser circuits that can be used separately: one at a time or simultaneously in series, parallel or split configurations — the Strymon Zelzah takes you on a spellbinding sonic experience by producing some of the most exquisite, spiralling and luscious modulation sounds we’ve ever heard — perfectly voiced with plenty of vibe!

A World of Modulation

The 4-stage phaser on the left side of the Zelzah offers 3 sweep modes that capture an array of nostalgic, vintage phaser and vibrato tones. Strymon call their Zelzah a “way back machine” for a reason! The 6-stage phaser algorithm (right side) can seamlessly venture into flanger and chorus territory via its versatile ‘Voice’ control, accompanied by a thoughtful resonance switch that richly alters the intensity.

Flexible 2-in-1 Design

As the Strymon Zelzah is essentially two different phasers in a single enclosure, you can configure it in a number of ways to maximise your pedalboard’s real-estate — becoming the only modulation pedal you may ever need. Dial in a chorus on one side and a barber-pole phaser on the other, or create a soaring flanger with a pulsating tremolo next door. Use the two sides independently, or together to achieve musical nirvana!

Key Features

  • Two independent effects that can be configured and controlled separately and used one at a time or simultaneously in series, parallel, or split configurations.
  • Vintage 4-stage phaser with three phaser sweep modes: classic, barber, and envelope.
  • Groundbreaking new 6-stage phaser algorithm with a continuous range from classic pure 6-stage phasing to flanging and chorus, all with adjustable resonance.
  • True stereo operation means, under the hood, each half of the pedal has two phasers running side by side (two 4-stage and two 6-stage)  or in series, with independently adjustable stereo spread for each.
  • All controls are carefully voiced to produce musically-useful sounds at any setting.
  • Adjustable input level switch to allow for both instrument and line level signals.
  • Selectable buffered or true bypass.
  • Full-featured MIDI implementation via TRS or USB supporting MIDI CCs, MIDI clock sync, and access to 300 preset locations.
  • High impedance, ultra low-noise discrete Class A JFET TRS stereo input.
  • Low impedance independent TS stereo outputs.
  • Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.
  • USB jack for controlling via MIDI from a computer or for performing firmware updates.
  • Independent on/off footswitch for each phaser.
  • Premium JFET analogue front end.
  • Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality.
  • Strong and lightweight anodised dark purple aluminium chassis.

Specifications

  • 480MHz ARM Superscalar processor
  • 32-bit floating point processing
  • 20Hz to 20kHz frequency response
  • Audio Input Impedance: 1M Ohm
  • Audio Output Impedance: 100 Ohm
  • Power requirements: maximum 9-volts DC centre-negative, with a minimum of 300mA of current
  • Dimensions: 4.5” (D) x 4” (W) x 1.75” (H)
  • Designed and built in the USA

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Brand

Strymon

In the current JustPedals catalogue, Strymon is represented by Delay Pedals, Reverb Pedals and Pedal Power Supplies. Current listings include Lex Rotary, TimeLine Delay and Olivera Oil Can Delay. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Phaser Pedals

Phaser pedals split and shift the phase of parts of the signal before mixing them back with the dry sound, creating moving notches and a swirling sweep. Rate controls speed; depth, feedback, stages and resonance shape the intensity and number of peaks. A low-feedback phaser can add gentle movement, while higher settings become more pronounced and vocal. Check whether the design is mono or stereo, where it sits relative to drive and whether the controls remain useful across the range of guitar, bass or keys.

Tags

Vocal

Vocal products process a microphone signal with harmony, reverb, delay, doubling, pitch correction, distortion or tone shaping. Microphone type, phantom-power handling, input gain, footswitch control and balanced output are as important as the effect list. Check key or scale settings, monitoring, feedback control, dry-signal routing and the intended PA or interface connection before using a vocal effect on stage.