Revv Amplification G8 Noise Gate Pedal

£189.99

This is a New Revv Amplification G8 Noise Gate Pedal from Revv, listed in Noise Gate Pedals on Just Pedals. Read More below.

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Canadian amp and pedal builders Revv Amplification know a thing or two about high gain. Their amps are revered for their searing, high gain tones and functionality and use only the best components, regardless of cost. It seems only logical then, that Revv Amps know how to tame even the most of ferocious of amps…Introducing the Revv G8 Noise Gate!

Based on the noise gate in the Generator 120 Mk.3, the G8 is a transparent, natural sounding gate that removes all of the annoying hiss and background noise that comes with high gain. From slight noise cancellation to ultra tight high gain, the G8 preserves your tone and pick attack for a natural sound, even at extreme settings. Separate Hold and Release controls enable maximum decay shaping, and a transparent threshold allows your tone to naturally bloom.

The G8 features a send/return loop which allows you to apply the noise gate to pedals as well as creating a side chain. This is a handy feature if you have an old or noisy stomp box in your rig. The true bypass circuit guarantees that there will be zero signal loss when the pedal is bypassed and has been optimised to work equally as well with any analogue, digital or hybrid rig. Housed in a rugged black sparkle chassis with printed geometric design, the G8 is tough, durable and reliable.

Features

  • Ultra-tight Noise Gate pedal
  • Based on the gate in the Generator 120 MK3
  • Effortlessly cleans noise and focuses on specific frequencies
  • Hold, Release, and Threshold controls allow optimum control
  • Send/Return loop for gating pedals or creating a side chain
  • Easy to use format means more time focused on performing
  • True bypass for maximum clarity and zero signal loss
  • Top mounted Input and Output jacks
  • Built to last durable construction
  • Optimized for use with any Analogue, Digital or Hybrid Rig
  • Black sparkle chassis with printed geometric design
  • Small single-space enclosure
  • Designed and built in Canada
  • Powered by opt. PSU (9-12 V DC, centre -, 2.1mm, approx. 50mA current draw)

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Brand

Revv

Revv is known for precision-built high-gain tone, delivering tight, articulate distortion with clarity and control. Born from modern metal and progressive rock roots, the brand’s amps and pedals focus on punchy low end, focused mids, and smooth but aggressive saturation that stays defined even under heavy gain.

Choose Revv when you want crushing drive without losing detail. Whether it’s tight rhythm chugs, soaring lead sustain, or a modern amp-style distortion in pedal form, their gear delivers power, consistency, and studio-ready aggression straight to your board.

Category

Noise Gate Pedals

Noise gate pedals reduce hum, hiss and unwanted spill when the input falls below a chosen threshold. Threshold sets when the gate closes; attack, hold, release and range determine whether the result is transparent or abrupt. A gate before high-gain stages can control noise early, while a post-drive gate can clean the finished signal but may shorten sustain. Check whether the design offers a loop or side-chain, how it handles low notes and how much playing detail is lost at the chosen setting.

Tags

Analogue

Uses continuous analogue circuitry for some or all of the audio path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. Check the exact signal path.

Digital

Uses digital conversion and processing to create, store or control the effect. This can provide presets, complex routing and repeatable algorithms, but latency, conversion and power requirements depend on the design.

Hybrid

Combines analogue audio circuitry with digital control, conversion or processing. The useful question is which part of the signal path remains analogue and which functions—presets, filtering or modulation—are handled digitally.

True Bypass

Connects input directly to output through mechanical or relay switching when the effect is off, removing the active circuit from the audio path. It avoids buffer colour but leaves cable capacitance and switching design to influence high-frequency loss and possible switching noise.