Old Blood Noise Endeavors MAW Microphone Effects Manipulator Pedal

£319.00

This is the Old Blood Noise Endeavors MAW Microphone Effects Manipulator Pedal from Old Blood Noise Endeavors, listed in Specialist Effects Pedals on Just Pedals. Read More below.

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Here's what Old Blood Noise Endeavors says about the MAW:

Originally conceived as a simple effects pedal for vocalists, the MAW is a fully functional pedal for any application that involves a dynamic microphone. Featuring a high-quality microphone preamp fed into three foot-switchable effect engines and an effects loop for integrating you own favourite external effects, MAW is both perfect as a versatile tool for studio tinkerers or it can be an all-in-one for creative vocalists looking to control their live sound.

MAW can saturate, reverberate, delay, flange and rotate your signal with the three on-board effects sections, plus you can integrate additional effects pedals with the send/return loop for a world of other creative uses. This is also perfect to patch in other pedals and effects that you may already have, which traditionally wouldn’t be able to be hooked up to a microphone directly.

Both a microphone audio workstation and a poetic tool, MAW likes an XLR signal but will take a 1/4” jack input too. Multiple outputs and expression control finish out this versatile toolkit. Let its voice become yours.

Features

  • Vocal Effects Pedal
  • XLR Microphone preamp for dynamic microphones
  • Microphone gain control with pad switch for hot signals
  • Tone knob – low pass filter for darker or brighter tone
  • Switchable saturation section, with blend and tone knobs to sculpt your tone
  • Two foot-switchable multi-effects engines: First – two reverbs, short delay, phaser, lower and upper octaves. Second – two additional reverbs, long delay, flanger and rotary.
  • Momentary or Latching Switching – for seamless effects changes on the fly
  • FX Loop – add your own effects pedals into its signal chain
  • Effects trails – allows natural Reverb and Delay decay
  • External Expression Control – for each effects section
  • 1/4”/6.5mm instrument cable input
  • Dual outputs: Wet – switchable between 1/4”/6.5mm or XLR. Post-saturation Dry – XLR
  • Powered by regular 9V PSU (9V DC, centre -, 2,1 mm, ~210 mA current draw)

Brand

Old Blood Noise Endeavors

Old Blood Noise Endeavors is a pedal manufacturer known for its creative and unconventional effects. Their pedals are designed to push the boundaries of traditional sound, often combining distortion, delay, and modulation effects in innovative ways. One example is their *Beam Splitter* pedal, which takes a single input signal and splits it into three different versions with varying delay times and overdrive tones. This results in a larger, more textured sound, ideal for those looking to create unique sonic landscapes. Their pedals also feature expressive controls such as Deviate, which introduces natural variations to delay times for a more organic feel.

Old Blood Noise Endeavors is also recognized for its distinctive pedal designs and collaboration with various artists, showcasing their commitment to producing high-quality, experimental tools for musicians. Their pedals are popular for both live performances and studio work, offering a range of effects from fuzz to reverb, each with a creative twist. This brand stands out for its bold approach to sound manipulation, making it a favourite among experimental musicians and those seeking to expand their sonic palette.

Category

Specialist Effects Pedals

Specialist effects alter the signal in ways that do not sit cleanly inside one established family. They may use granular processing, frequency shifting, resonators, freeze or sustain, bit reduction, ring modulation, feedback networks or combinations of several techniques. The relevant distinction is the underlying process, its tracking or latency, and how completely the dry signal can be blended or replaced.

Tags

Vocal

Designed for microphone-level signals and the frequency, dynamics and feedback behaviour of the human voice. Input gain, balanced connections, phantom power and pitch tracking may be provided so effects respond correctly before the signal reaches a mixer or PA.