MXR M249 Super Badass Dynamic Overdrive Pedal

£154.00

This is a New MXR M249 Super Badass Dynamic Overdrive Pedal from MXR, listed in Overdrive Pedals on Just Pedals. Read More below.

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The MXR M249 Super Badass Dynamic Overdrive Pedal is here to give your rig all the bite and growl it could possibly need. And itll do that without sacrificing any of your existing tonal dynamics!Featuring MOSFET clipping diodes in the circuitry the Super Badass boasts a smooth purring overdrive thats highly versatile. Dial it back to enjoy a pristine clean boost or crank up the settings for a full force vintage gain attitude. Thats accompanied by a unique Boost / Cut switch that lets you bump up the overall level or drop it back down for more reserved nuanced playing. Easy to use and super smooth in its sonics the Super Badass Overdrive promises to rev up your sound.

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Brand

MXR

MXR is a renowned manufacturer of guitar effects pedals and audio electronics, recognized for their classic designs and high-quality sound. Established in the 1970s, MXR has played a significant role in shaping the landscape of effects pedals, producing iconic units that have become staples in countless musicians’ rigs. The company’s pedals are celebrated for their rugged construction, intuitive controls, and versatile tones, making them popular among guitarists and bassists across genres.

MXR’s product lineup encompasses a wide range of effects categories, including distortion, delay, modulation, and more. Some of their most notable pedals include the Phase 90 phaser, the Dyna Comp compressor, and the Carbon Copy analog delay, all of which have earned legendary status among players for their distinctive sound and reliability. With a legacy of innovation and a commitment to quality, MXR continues to be a respected name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.

Category

Overdrive Pedals

Overdrive uses soft or moderate clipping to add harmonics and compression while retaining more of the original note shape than heavy distortion. Some circuits emphasise the midrange and trim bass before clipping; others remain broad, transparent or amplifier-like. Gain, clipping arrangement, headroom and tone filtering decide whether it supplies a light edge, a saturated drive sound or extra push into another gain stage.