Jim Dunlop JCT95 Justin Chancellor Signature Cry Baby Bass Wah, Fuzz & Filter Pedal

£339.00

Justin Chancellor is a sonic pioneer. The musical backbone of his Grammy award-winning band Tool, Chancellor is recognised for his percussive bass playing, but is also lauded for his creative, effects-laden melodic parts that really take you on a trip! The Jim Dunlop JCT95 Justin Chancellor Cry Baby wah pedal brings three of his favourite effects together in a […]


Description

Justin Chancellor is a sonic pioneer. The musical backbone of his Grammy award-winning band Tool, Chancellor is recognised for his percussive bass playing, but is also lauded for his creative, effects-laden melodic parts that really take you on a trip! The Jim Dunlop JCT95 Justin Chancellor Cry Baby wah pedal brings three of his favourite effects together in a single housing — the fluid expressiveness of a custom mid-range filter, the bright aggression of a custom wah circuit, and the chainsaw grind of a vintage fuzz.

In short, this incredible tool (pun intended) is perfect for bassists who want to push the musical boundaries. Whether opening up soundscapes with chords and harmonics, or syncing up with a guitarist to perform arresting single-note unison runs — this pedal gives you plenty to play with!

Key Features

  • 2 Wah Voices — 'U.K. Filter' and 'Wah' modes provide two tone-warpingly distinct variations on a theme.
  • U.K. Filter Mode — Thick and throaty, designed to emulate the unique envelope-like filtering of the tone control on Justin's bass. When combined with the built-in fuzz, the U.K. Filter voice generates incredibly smooth, synth-like sounds.
  • Wah Mode — Brilliant, aggressive and lush. If you prefer a more traditional wah tone, this mode employs the classic red Fasel inductor and the circuitry of a modified Cry Baby for a gnarlier sound with brilliant harmonics. It really cuts through with the fuzz engaged!
  • Wah Select Footswitch — Move between the two wah voices at any time, with separate Volume and Q controls giving you ultimate control.
  • Custom Circuitry — In both modes, the pedal maintains the thickness and heft of your low-end by boosting your clean signal at 400Hz and blending it with the effect signal at the beginning of the rocker’s sweep.
  • Vintage Fuzz Circuit — Based on Justin’s go-to fuzz; a ferocious device of vintage UK origin. Has a tighter focus than most fuzzes, while retaining much of the bass signal's punch. By default, you’ll only hear the fuzz when using the rocker pedal, but you can kick the switch on the side to run it independently.

Brand

Jim

Category

Jim

Tags

bass

Fuzz

A fuzz pedal is one of the earliest and most aggressive forms of distortion, turning your clean guitar signal into a thick, saturated wall of sound. It works by clipping the waveform almost flat, creating a compressed, gritty tone full of harmonic overtones. The result is raw, unruly, and unmistakable — from the sputtering breakup of vintage germanium circuits to the searing sustain of modern silicon designs. Fuzz pedals react strongly to your guitar’s volume and pickup choice, making them dynamic tools for expressive players.

Whether you’re chasing the classic tones of Hendrix and the Smashing Pumpkins or exploring heavy, experimental textures, fuzz remains a favourite for its personality and unpredictability. It can sound smooth and sustaining, or wild and velcro-like, depending on how it’s set up. A good fuzz pedal cuts through the mix while adding thickness and attitude, turning any riff or lead line into something bold and unmistakably alive.

Fuzz Pedals

Wah

Wah refers to an expressive filter effect that sweeps through a range of frequencies, creating a vocal-like “wah” sound. Controlled in real time with a foot-operated treadle, it allows players to emphasise different parts of the frequency spectrum as they play. Wah pedals are commonly used for lead guitar, funk rhythm work, and expressive solos, responding closely to picking dynamics and foot movement.

Wah Pedals