Explosive overdrive for your whole band. The Electro Harmonix Nano Operation Overlord Overdrive gives you a huge range of classic overdrive tones to use in your music. With 3 JFET gain stages providing everything from a light crunch to a fully-saturated explosive distortion youll never run out of ways to spice up your playing with a bit of overdrive. Theres a whole new dimension of it available when you hit the “Boost” button and turn on Boost Mode. This provides you with a full pedal-style overdrive circuit before the JFET gain stages increasing the overall overdrive sound. And unlike most overdrive pedals the Overlord works with not just guitar but bass keyboard and any other electrical instruments you can think of. A “Dry Blend” control retains the articulation and low-end of all instruments making this pedal super-flexible. Get one for everyone in your band. Apart from the drummer…
Electro Harmonix Nano Operation Overlord Overdrive
This is a New Electro Harmonix Nano Operation Overlord Overdrive from Electro Harmonix, listed in Overdrive Pedals on Just Pedals. Read More below.
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Brand
Electro Harmonix
Founded by Mike Matthews in New York City in 1968, Electro-Harmonix became known for inventive effects that brought new sounds within reach of guitarists. Its first product was the LPB-1 Linear Power Booster; the company’s long-running catalogue ranges from fuzz and overdrive to delay, modulation, octave and experimental processing. JustPedals listings include the Small Clone chorus, Small Stone phaser, Memory Boy delay, POG 2 octave generator and Micro Q-Tron envelope filter. Check the exact version and power requirements when comparing EHX models, since familiar names often span different generations and formats.
Category
Overdrive Pedals
Overdrive uses soft or moderate clipping to add harmonics and compression while retaining more of the original note shape than heavy distortion. Some circuits emphasise the midrange and trim bass before clipping; others remain broad, transparent or amplifier-like. Gain, clipping arrangement, headroom and tone filtering decide whether it supplies a light edge, a saturated drive sound or extra push into another gain stage.
Tags
Bass
Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.
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