The Boss SY-200 Guitar/Bass synthesizer pedal opens up a whole new sonic landscape to explore. Ever wished that you could turn your guitar or bass into a synth? Well good news now you can. With 171 analogue-style tones you arent short of synth goodness – all are fully customisable thanks to three dials controlling the tone resonance and depth allowing you to discover without limits. In addition to the 171 total sounds you have 128 memory slots for storing your crazy creations. Effortlessly blend the synth sound with your normal sound thanks to independent level control dials. Versatile and vastly customisable Boss have created a fantastic synth that is compact portable and easily playable its a must have for any guitarist looking at delving into the world of synths.
Boss SY-200 Guitar/Bass Synthesizer Pedal
This is a New Boss SY-200 Guitar/Bass Synthesizer Pedal from Boss, listed in Synth Pedals on Just Pedals. Read More below.
As an affiliate partner, we may earn a small commission when you buy through our links — at no extra cost to you.
Related videos
Brand
Boss
In the current JustPedals catalogue, Boss is represented by Multi-Effects Pedals, Delay Pedals and Distortion Pedals. Current listings include PW-3 Wah, PX-1 Plugout FX and FZ-5 Fuzz. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.
Category
Synth Pedals
Synth pedals convert an instrument signal into synthesised tones, filtered waveforms or layered electronic voices. Tracking, input range, envelope response, oscillator choice, filter, resonance and blend determine how closely the result follows the playing. Some designs need clean monophonic notes, while others handle chords or provide MIDI and USB control. Check latency, pickup compatibility, dry-signal routing and the position of the pedal relative to compression and distortion, because unstable or heavily processed input can change the response dramatically.
Tags
Analogue
Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.
Bass
Bass products are designed or voiced to retain low-frequency information and usable headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression, crossover points or drive character. A guitar pedal can sometimes work well on bass, but it may remove the fundamental or compress the transient. Check the frequency response, input impedance, output level and dry-signal path with the intended tuning and amplifier.
- Mooer Meta FX – Review
- MOOER META FX Review: 3 Effects in 1—but Here’s the Problem
- I Wasn’t Expecting To Be Impressed – But What Is The Mooer Meta FX?
- Mooer // META FX Stereo Multi-Effect Platform (Demo)
- A NEW GENERATION OF PEDALS IS HERE – Mooer Meta FX Reverb Review
- Mooer META FX | All the REVERBS from subtle to WILD!













