Boss SY-200 Guitar/Bass Synthesizer Pedal

£285.50

This is a New Boss SY-200 Guitar/Bass Synthesizer Pedal from Boss, listed in Synth Pedals on Just Pedals. Read More below.

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The Boss SY-200 Guitar/Bass synthesizer pedal opens up a whole new sonic landscape to explore. Ever wished that you could turn your guitar or bass into a synth? Well good news now you can. With 171 analogue-style tones you arent short of synth goodness – all are fully customisable thanks to three dials controlling the tone resonance and depth allowing you to discover without limits. In addition to the 171 total sounds you have 128 memory slots for storing your crazy creations. Effortlessly blend the synth sound with your normal sound thanks to independent level control dials. Versatile and vastly customisable Boss have created a fantastic synth that is compact portable and easily playable its a must have for any guitarist looking at delving into the world of synths.

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Brand

Boss

Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.

Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.

Category

Synth Pedals

A synth pedal analyses an instrument signal and uses it to control generated oscillators, filters and envelopes. Unlike ordinary distortion, the output may replace the original waveform with a distinctly electronic voice. Tracking mode, pitch range, envelope response, filter movement, polyphony and dry blend determine how accurately the synthesis follows playing dynamics and whether the result behaves as bass, lead, pad or texture.

Tags

Analogue

The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.