The Ampeg Opto Comp Analogue Bass Compressor is the perfect way to take control over your tone offering a smooth vintage-style compression to help reduce volume spikes and maximise sustain. It also provides you with compression release and output letting you dial in variety of compressions to help beef up your tone or create punchier sounds. With this model you can also dial in a fast subtle compression to help control peaks or crank it up all the way to give your voicing a unique character. Its addition of a true bypass switch retains your original signal when the pedal is switched off the Ampeg Opto Comp Bass Compressor is the perfect companion for bassists wanting the ultimate tone.
Ampeg Opto Comp Analogue Bass Compressor
This is a New Ampeg Opto Comp Analogue Bass Compressor from Ampeg, listed in Compressor Pedals on Just Pedals. Read More below.
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Brand
Ampeg
Yamaha Guitar Group, Inc. (YGG) acquired the Ampeg brand in 2018—bringing it under the same roof as Yamaha basses/guitars/amplifiers and digital innovators Line 6. Honouring 70+ years of celebrated Ampeg history and the 50th anniversary of the amplifier that put Ampeg on the rock ‘n’ roll map, the first thing developed by YGG was the Heritage 50th Anniversary SVT, a product that quickly became one of the most requested amplifiers amongst touring artists and backline companies.
Category
Compressor Pedals
Compressor pedals reduce dynamic range by turning louder peaks down and raising or sustaining the average level. Attack and release determine whether the pick transient remains sharp or is softened; ratio, threshold, blend and output gain decide whether the result is discreet control or an obvious effect. Compression can even out clean picking, add sustain before an overdrive, tighten bass or provide a steady vocal signal, but it can also raise noise and reduce touch contrast. Check the controls and metering, then place the pedal where its gain structure makes sense for the rest of the chain.
Tags
Analogue
Uses continuous analogue circuitry for some or all of the audio path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. Check the exact signal path.
Bass
Designed or voiced to retain low-frequency information and headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression or drive.
True Bypass
Connects input directly to output through mechanical or relay switching when the effect is off, removing the active circuit from the audio path. It avoids buffer colour but leaves cable capacitance and switching design to influence high-frequency loss and possible switching noise.
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