Ampeg Opto Comp Analogue Bass Compressor

£100.00

This is a New Ampeg Opto Comp Analogue Bass Compressor from Ampeg, listed in Compressor Pedals on Just Pedals. Read More below.

View Just
more
and , ,

The Ampeg Opto Comp Analogue Bass Compressor is the perfect way to take control over your tone offering a smooth vintage-style compression to help reduce volume spikes and maximise sustain. It also provides you with compression release and output letting you dial in variety of compressions to help beef up your tone or create punchier sounds. With this model you can also dial in a fast subtle compression to help control peaks or crank it up all the way to give your voicing a unique character. Its addition of a true bypass switch retains your original signal when the pedal is switched off the Ampeg Opto Comp Bass Compressor is the perfect companion for bassists wanting the ultimate tone.

Brand

Ampeg

In the current JustPedals catalogue, Ampeg is represented by Preamp & DI Pedals, Overdrive Pedals and Chorus Pedals. Current listings include Scrambler, Classic Analog and Opto Comp Analogue. That makes the range relevant to players looking for drive, gain and clipping, plus modulation and movement. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Compressor Pedals

Compressor pedals reduce dynamic range by turning louder peaks down and raising or sustaining the average level. Attack and release determine whether the pick transient remains sharp or is softened; ratio, threshold, blend and output gain decide whether the result is discreet control or an obvious effect. Compression can even out clean picking, add sustain before an overdrive, tighten bass or provide a steady vocal signal, but it can also raise noise and reduce touch contrast. Check the controls and gain structure before placing one in a busy chain.

Tags

Analogue

Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.

Bass

Bass products are designed or voiced to retain low-frequency information and usable headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression, crossover points or drive character. A guitar pedal can sometimes work well on bass, but it may remove the fundamental or compress the transient. Check the frequency response, input impedance, output level and dry-signal path with the intended tuning and amplifier.

True Bypass

True bypass removes the effect circuit from the audio path when bypassed, usually by mechanical, relay or switching circuitry. This can preserve the direct signal but does not automatically solve long-cable loading, and it may create a pop or leave no buffer for the rest of the board. Check the actual switching method, trails or spillover, input and output loading and the number of other true-bypass pedals in the chain.