Way Huge Smalls Aqua-Puss Analog Delay

£189.99

This is a New Way Huge Smalls Aqua-Puss Analog Delay from Way Huge, listed in Delay Pedals on Just Pedals. Read More below.

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The original Aqua-Puss delay pedal ahs cult status with users such as John Mayer making it famous. This analogue delay is now available in a more pedalboard-friendly format saving you a bit of space at the end of your chain. 

With three easy-to-use knobs you can easily achieve a stunning delay sound that goes from a simple slapback to a lush bed of repeats.

Features

  • Delay knob adjusts warm organic delay times between 20ms and 300ms
  • Feedback knob sets the number of echo repeats
  • Blend knob regulates ratio of dry to delayed signal
  • Footswitch toggles the effect on/bypass

Specifications

  • Input Impedance: 300k Ohms
  • Output Impedance: 1k Ohms
  • Nominal Output: -20dBV
  • Signal to Noise Ratio: >96dB
  • Noise Reduction Ratio: 2:1
  • Bypass: True Hardwire Relay
  • Delay Distortion: Delay Range: 20ms to 300ms
  • Current Draw: 16 mA
  • Power Supply: DC 9 volts

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Brand

Way Huge

In the current JustPedals catalogue, Way Huge is represented by Fuzz Pedals, Overdrive Pedals and Chorus Pedals. Current listings include Smalls Doom Hammer Fuzz, Smalls Geisha Drive and Smalls Stone Burner Sub Fuzz. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Delay Pedals

Delay pedals repeat the input after a set time, from a short slapback to long ambient trails. Feedback controls how many repeats continue; filtering, modulation, saturation and mix shape their tone and prominence. Tap tempo can keep rhythmic delays aligned with a song, while presets and MIDI help when several timings are needed. Analogue, tape-style and digital designs respond differently to transients and overload. Check maximum delay time, spillover, stereo routing, trails and headroom before choosing a model for the rest of the board.

Tags

Analogue

Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.