The Warm Audio Mutation Phasor II is the perfect tool for experimental musicians and producers looking to add depth and swirl to their sound. Whether you play guitar keys or bass this pedal delivers all the rich depth and instant psychedelic tones favoured by innovative musicians and producers like Billy Corgan Tom Bukovac and Robin Trower. With its electro-optical phase-shifting pedal with feedback circuit the Mutation Phasor II accurately recreates the deep phase-shifting psychedelic modulation of the original phaser made famous in studios during the 1970s. Built with premium components including classic RC4558P op-amps vintage-style diodes carbon resistors and film caps Mutation Phasor II offers a lush studio sound and road-worthy build. The ultra-tough vintage-vibe steel case ensures that your pedal will withstand the demands of adventurous musicians on the road. Plus as with all Warm Audio gear Mutation Phasor II is meticulously hand-tested and inspected by trained technicians in Austin TX USA.
Warm Audio Mutation Phasor II
This is a New Warm Audio Mutation Phasor II from Warm Audio is in our Specialist Effects Pedals category on Just Pedals. Read More below.
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Brand
Warm Audio
Warm Audio began with founder Bryce Young’s aim of making the sounds of classic recording equipment more accessible through recreations of well-known analogue designs. The company remains rooted in studio gear, with microphones, preamps and compressors alongside a focused guitar-pedal range. Centavo revisits a sought-after overdrive, Foxy Tone Box is an octave fuzz, Mutation Phasor II is an optical phaser and Warmdrive is an amp-inspired overdrive. JustPedals listings include these models alongside ODD and WA-CV Centavo. The pedal line carries the company’s broader approach into guitar effects by pairing familiar circuit references with practical modern formats.
Category
Specialist Effects Pedals
Specialist effects alter the signal in ways that do not sit cleanly inside one established family. They may use granular processing, frequency shifting, resonators, freeze or sustain, bit reduction, ring modulation, feedback networks or combinations of several techniques. The relevant distinction is the underlying process, its tracking or latency, and how completely the dry signal can be blended or replaced.
Tags
Bass
Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.
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