The new standard. With the Walrus Audio Mako R1 High-Fidelity Stereo Reverb the game has been changed. In a world of high-quality reverbs the Mako R1 stands apart thanks to its sheer clarity articulation and unparalleled fidelity. Featuring six stereo reverb algorithms the intuitive controls and latch/sustain footswitch give you everything required to craft and refine your ultimate reverb tone; the 32-bit floating point processing then realises that reverb in staggeringly pristine fashion. Nine integrated presets and 128 presets accessible via MIDI gives you more options than you may ever need its better to have too many than too few. Selectable bypass options extend the versatility further. One remarkable function is the X control which alters mode-specific features (size drive air diffusion) demonstrating this is truly a reverb like no other. Go from subtle spring to verb so euphorically vast it sounds like its from a different dimension. Take your reverb to places you didnt know were possible with the Mako R1.
Walrus Audio Mako R1 High-Fidelity Stereo Reverb
This is a New Walrus Audio Mako R1 High-Fidelity Stereo Reverb from Walrus Audio is in our Reverb Pedals category on Just Pedals. Read More below.
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Brand
Walrus Audio
Walrus Audio describes itself as a collective of artists, musicians and engineers, bringing circuit design together with distinctive pedal artwork. The company says its effects are hand-built and manufactured in the USA. JustPedals listings illustrate the variety: ARP-87 multi-function delay, Slö ambient reverb, Julia analog chorus and vibrato, and Polychrome flanger. Some models focus on direct, compact controls, while others provide broader modulation or atmospheric textures. Compare each model’s modes, stereo connections and control options; the artwork is a signature of the brand, while the circuit determines how it fits a rig.
Category
Reverb Pedals
Reverb creates the dense pattern of reflections heard after sound enters a physical or imagined space. Room, hall, plate and spring models differ in reflection density, frequency decay and modulation, while ambient algorithms extend or transform the tail beyond natural acoustics. Decay, pre-delay, damping, diffusion and wet/dry balance define the apparent size, surface and distance of that space.
Tags
MIDI
Sends, receives or responds to Musical Instrument Digital Interface messages rather than carrying the instrument audio itself. Program changes recall presets, continuous controllers move parameters, and MIDI clock or transport messages synchronise timing between devices.
Presets
Stores complete groups of parameter values for later recall. The number of locations, switching time, spillover behaviour and whether presets include routing, expression and MIDI assignments determine how completely one sound can change into another.
Stereo
Processes, creates or passes two audio channels. True stereo preserves separate left and right inputs, while mono-to-stereo effects generate spatial differences internally; routing, phase behaviour and whether trails remain stereo determine the resulting image. Some outputs sum to mono when only one socket is connected, which can change level or modulation depth.
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