The Tech 21 Killer Wail v2 Wah Pedal is built to give you the character of classic wah circuits without the usual noise and maintenance issues. Instead of relying on mechanical pots that eventually crackle or wear out this updated design uses light-sensor technology to keep the sweep smooth consistent and completely silent. The result is a wah that feels alive underfoot while staying clean and dependable making it a great fit for players who want vintage tone with modern reliability. Machined from solid billet aluminium the housing is built for years of gigs rehearsals and home sessions without complaint. Inside the Killer Wail v2 is a custom filter designed to emulate the full behaviour of an old-school wah shifting not just the frequency but also the Q for a more expressive musical sweep. It reacts naturally to your playing and gives everything from subtle movement to full-on vocal attack. The pedal can also run on phantom power from compatible Fly Rigs keeping your board tidy and hassle-free. With a compact footprint and a tonal character that nails the classic vibe the Killer Wail v2 brings authentic wah feel in a rugged modern package.
Tech 21 Killer Wail v2 Wah Pedal
This is a New Tech 21 Killer Wail v2 Wah Pedal from Tech 21 is in our Wah & Filter Pedals category on Just Pedals. Read More below.
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Brand
Tech 21
Tech 21 began in Manhattan in 1989 when designer Andrew Barta introduced SansAmp, an all-analogue amplifier and speaker-emulation circuit for direct recording. SansAmp remains central to the company’s guitar and bass range, appearing in standalone preamps, DI pedals, rack units and Fly Rig products. JustPedals listings include the GT2, Programmable Bass Driver DI, Para Driver DI and Character Series VT Bass DI, as well as the MIDI Mouse. These products shape or send a direct instrument signal, rather than providing only conventional modulation or ambience; compare instrument voicing and output connections.
Category
Wah & Filter Pedals
Wah effects sweep a resonant band-pass or related filter through the frequency spectrum, creating the vowel-like movement associated with the treadle. Envelope filters move automatically in response to picking level, while fixed and sequenced filters use other control sources. Sweep range, resonance, direction, sensitivity and input loading determine whether the response is vocal, percussive, smooth or sharply synthetic.
Tags
Vocal
Designed for microphone-level signals and the frequency, dynamics and feedback behaviour of the human voice. Input gain, balanced connections, phantom power and pitch tracking may be provided so effects respond correctly before the signal reaches a mixer or PA.
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