The Revv Tilt Overdrive/Boost Shawn Tubbs Signature is a compact dual pedal built to give you amp feel and practical tone shaping in one pedal. Designed with session guitarist Shawn Tubbs and Revv founder Dan Trudeau it combines a balanced overdrive voice with a powerful Tilt Boost so you can move from cleanish push to thick harmonically rich drive easily. The drive side focuses on fat but tight lower mids delivering the kind of “4×12 in a box” character Shawn relies on with enough gain range to cover subtle edge punchy rhythm work and saturated lead tones. The boost side gives you quick control over level and overall brightness helping you match guitars lift solos tighten high-gain amps or add clarity before the rest of your signal chain. Its Tilt EQ is roughly neutral around 2 oclock with clockwise and counter-clockwise moves reshaping bass and treble together while the three-position Tight switch adjusts the low end independently. With top-mounted jacks silent relay switching true bypass and standard 9-12V centre-negative power the Tilt is a professional-standard tone tool that slots neatly onto busy boards.
Revv Tilt Overdrive/Boost Shawn Tubbs Signature
This is a New Revv Tilt Overdrive/Boost Shawn Tubbs Signature from Revv, listed in Overdrive Pedals on Just Pedals. Read More below.
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Brand
Revv
In the current JustPedals catalogue, Revv is represented by Preamp & DI Pedals, Overdrive Pedals and Noise Gate Pedals. Current listings include Tilt Boost, Amplification G8 Noise Gate and G8 Noise Gate. That makes the range relevant to players looking for drive, gain and clipping, plus modelling, direct rigs and multi-effects. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.
Category
Overdrive Pedals
Overdrive uses soft or moderate clipping to add harmonics and compression while retaining more of the original note shape than heavy distortion. Some circuits emphasise the midrange and trim bass before clipping; others remain broad, transparent or amplifier-like. Gain, clipping arrangement, headroom and tone filtering decide whether it supplies a light edge, a saturated drive sound or extra push into another gain stage.
Tags
Bass
Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.
Boost
Raises signal level and may also reshape the frequency balance before the next stage. A clean boost preserves the waveform until headroom is exceeded, while coloured designs emphasise particular frequencies or add mild clipping that changes how later gain stages respond.
True Bypass
Connects input directly to output through mechanical or relay switching when the effect is off, removing the active circuit from the audio path. It avoids buffer colour but leaves cable capacitance and switching design to influence high-frequency loss and possible switching noise.
Vocal
Designed for microphone-level signals and the frequency, dynamics and feedback behaviour of the human voice. Input gain, balanced connections, phantom power and pitch tracking may be provided so effects respond correctly before the signal reaches a mixer or PA.
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