Orange King Comp Compressor Pedal

£159.00

This is a New Orange King Comp Compressor Pedal from Orange, listed in Compressor Pedals on Just Pedals. Read More below.

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The King Comp is a super low-noise Class A VCA compressor pedal that brings studio-style dynamics to your pedalboard. From subtle squish to bold sustain, it enhances your tone with clarity and warmth without losing touch sensitivity. Use it to tighten your clean tone and smooth out single-note lines, whether you’re playing guitar or bass. The tweakable attack and release knobs allow you to shape your tone to perfection, meaning that whether you’re after subtle polish or full-on squash, the King Comp gives you precise dynamic control with a musical feel that responds like a great amp.

Key Features

  • VCA Compressor Pedal
  • Volume, Compression, Attack and Release Controls
  • 18V DC Power Supply

Specifications

  • Analogue/Digital: Analogue
  • Power: 18 VDC
  • Controls: Volume, Compression, Release, Attack
  • Mono/Stereo: Mono

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Brand

Orange

Orange Amplification is instantly recognisable for its bold styling and unmistakable British tone. Known for thick, harmonically rich overdrive and warm, rounded cleans, the brand’s amps and pedals deliver character in spades. From classic valve stacks to compact lunchbox heads and stompboxes, Orange balances vintage flavour with modern reliability.

Choose Orange when you want punch, personality, and a sound that fills the room. Whether it’s crunchy rock rhythms, fuzzy vintage grind, or solid clean headroom that takes pedals beautifully, their gear brings attitude and depth to any setup.

Category

Compressor Pedals

Compressor pedals reduce dynamic range by turning louder peaks down and raising or sustaining the average level. Attack and release determine whether the pick transient remains sharp or is softened; ratio, threshold, blend and output gain decide whether the result is discreet control or an obvious effect. Compression can even out clean picking, add sustain before an overdrive, tighten bass or provide a steady vocal signal, but it can also raise noise and reduce touch contrast. Check the controls and metering, then place the pedal where its gain structure makes sense for the rest of the chain.

Tags

Analogue

Uses continuous analogue circuitry for some or all of the audio path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. Check the exact signal path.

Bass

Designed or voiced to retain low-frequency information and headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression or drive.

Digital

Uses digital conversion and processing to create, store or control the effect. This can provide presets, complex routing and repeatable algorithms, but latency, conversion and power requirements depend on the design.

Stereo

Processes, creates or passes two audio channels. True stereo preserves separate left and right inputs, while mono-to-stereo effects generate spatial differences internally; routing, phase behaviour and whether trails remain stereo determine the resulting image. Some outputs sum to mono when only one socket is connected, which can change level or modulation depth.