Orange King Comp Compressor Pedal

£159.00

This is the Orange King Comp Compressor Pedal from Orange, listed in Compressor Pedals on Just Pedals. Read More below.

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The King Comp is a super low-noise Class A VCA compressor pedal that brings studio-style dynamics to your pedalboard. From subtle squish to bold sustain, it enhances your tone with clarity and warmth without losing touch sensitivity. Use it to tighten your clean tone and smooth out single-note lines, whether you’re playing guitar or bass. The tweakable attack and release knobs allow you to shape your tone to perfection, meaning that whether you’re after subtle polish or full-on squash, the King Comp gives you precise dynamic control with a musical feel that responds like a great amp.

Key Features

  • VCA Compressor Pedal
  • Volume, Compression, Attack and Release Controls
  • 18V DC Power Supply

Specifications

  • Analogue/Digital: Analogue
  • Power: 18 VDC
  • Controls: Volume, Compression, Release, Attack
  • Mono/Stereo: Mono

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Brand

Orange

Orange Amplification is instantly recognisable for its bold styling and unmistakable British tone. Known for thick, harmonically rich overdrive and warm, rounded cleans, the brand’s amps and pedals deliver character in spades. From classic valve stacks to compact lunchbox heads and stompboxes, Orange balances vintage flavour with modern reliability.

Choose Orange when you want punch, personality, and a sound that fills the room. Whether it’s crunchy rock rhythms, fuzzy vintage grind, or solid clean headroom that takes pedals beautifully, their gear brings attitude and depth to any setup.

Category

Compressor Pedals

Compression reduces the difference between louder and quieter parts of the signal. It can restrain peaks, lift decaying notes and make picking feel more even, but strong settings also change the attack and add audible sustain or pumping. Threshold, ratio, attack, release and blend determine when gain reduction begins, how firmly it acts and how much natural transient detail remains.

Tags

Analogue

The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.

Digital

Converts the signal or control process into numerical data for algorithmic processing. Digital designs can provide precise timing, long memory, complex routing and repeatable presets; sample rate, conversion, internal resolution and latency influence fidelity and response.

Stereo

Processes, creates or passes two audio channels. True stereo preserves separate left and right inputs, while mono-to-stereo effects generate spatial differences internally; routing, phase behaviour and whether trails remain stereo determine the resulting image. Some outputs sum to mono when only one socket is connected, which can change level or modulation depth.