MXR M279 Deep Phase Pedal

£119.00

This is a New MXR M279 Deep Phase Pedal from MXR, listed in Specialist Effects Pedals on Just Pedals. Read More below.

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The MXR M279 Deep Phase Pedal is an eye-catching accessory that will amaze you with its crystal-clear vintage voice. Switch on and engage the M279s pronounced swoosh and scooped midrange that will respond to your playing intensity. This MXR is a compact pedal that will work around you whether youre digging into fat clean chords or producing tantalizing melodies the M279 will respond accordingly. The Deep Phase Pedal has been carefully designed to match your level and will even work on the lower end of the spectrum so that it also sounds great on bass.

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Brand

MXR

MXR’s first product was the Phase 90, released in 1972. Dunlop’s official MXR history traces the early line from that compact phaser to the Distortion+, Dyna Comp compressor and Blue Box octave fuzz—circuits that remain central reference points for the brand. JustPedals carries those classic families alongside the Carbon Copy analog delay, Micro Amp, Talk Box and bass effects. MXR’s range is deliberately broader than one effect category: compare the model number and version, especially where a classic circuit has later reissues, mini enclosures or expanded controls.

Category

Specialist Effects Pedals

Specialist effects alter the signal in ways that do not sit cleanly inside one established family. They may use granular processing, frequency shifting, resonators, freeze or sustain, bit reduction, ring modulation, feedback networks or combinations of several techniques. The relevant distinction is the underlying process, its tracking or latency, and how completely the dry signal can be blended or replaced.

Tags

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.

Vocal

Designed for microphone-level signals and the frequency, dynamics and feedback behaviour of the human voice. Input gain, balanced connections, phantom power and pitch tracking may be provided so effects respond correctly before the signal reaches a mixer or PA.