The KMA Machines Pylon Advanced Transformer Boost Noise Gate Pedal allows you to add manipulating effects without the trade-off of interfering noise. Unlike other noise gates the Pylon doesnt just prevent your sound from being muddied but reinforces the sound with sufficient attack allowing your sound to reach its true potential. The ultra-fast gate kicks in with a smooth trigger and an integrated boost works in unison with external bypass switching to kick on or off the effect.
KMA Machines Pylon Advanced Transformer Boost Noise Gate Pedal
£159.00
This is the KMA Machines Pylon Advanced Transformer Boost Noise Gate Pedal from KMA Audio Machines, listed in Noise Gate Pedals on Just Pedals. Read More below.
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Brand
KMA Audio Machines
KMA Audio Machines is a boutique guitar effects pedal company based in Germany, known for its innovative designs and high-quality craftsmanship. Founded in 2014, KMA Audio Machines creates pedals that blend classic analogue tones with modern features, often incorporating unique and experimental elements into their designs. Their product lineup includes a variety of effects such as distortions, delays, and modulation pedals, each crafted to offer distinctive sound-shaping capabilities and a high level of sonic versatility. KMA Audio Machines is celebrated for its creative approach to pedal design, attention to detail, and the ability to deliver both vintage and contemporary sounds, making their pedals popular among musicians seeking unique and dynamic tonal options.
Category
Noise Gate Pedals
A noise gate reduces or mutes the signal when it falls below a threshold, separating wanted notes from hiss, hum and high-gain noise. Threshold decides when the gate closes, while attack, release and hold control how naturally it opens and how note tails decay. Side-chain or four-cable designs can detect the clean input while silencing noise later in the gain chain.
Tags
Boost
Raises signal level and may also reshape the frequency balance before the next stage. A clean boost preserves the waveform until headroom is exceeded, while coloured designs emphasise particular frequencies or add mild clipping that changes how later gain stages respond.
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