Description
The Keeley Monterey Fuzz Vibe Rotary Wah Pedal is currently retailing at £319 and it is in stock. Available to be delivered to you by post direct (some charge may apply).The team at Just Pedals think that Keeley Electronics nailed it with the Keeley Monterey Fuzz Vibe Rotary Wah Pedal.
Robert Keeley has crafted something really special with the Monterey Fuzz. While plenty of pedals claim to deliver all in one retro tones, none are packing the same array of effects or control as this. It is a fuzz, octave, vibe and auto wah all in one. You can access a seriously great range of sounds and only gets better with the addition an expression pedal.
The Fuzz
The fuzz is the core of the Monterey. It utilises a circuit equipped with vintage Fairchild semiconductor transistors, to deliver cool vintage gain with great dynamics and a smooth sound that suits the 'Jimi style' tone this pedal was designed for. Honestly, this pedal is worth it for the fuzz alone.
The Modulation
There is a 3 way selector at the centre of the pedal to switch between vibe, rotary and wah effects. These are your options for the left side modulation part of the pedal. When engaged, the global depth and level controls set what the effect is doing. If you want more control on the fly you can also add an expression pedal of your choosing to control modulation.
Octave Up and Down
When you engage the modulation mode you also start up the octave circuit. This can be set in the middle position for no octave effect or you can turn it clockwise for octave up and counter clockwise for octave down. The further from the middle the more prominent the octave effect becomes.
Fuzz Before Modulation? Or The Other Way?
Out of the box, the Monterey comes set up with the fuzz first in the signal chain – in front of the modulation. This is your standard layout. If you want to get a little bit experimental, there is a small switch on the back of the pedal that swaps these two sections. Discover the ways modulation can completely change the fuzz characteristics.
About Keeley Electronics
We have new and used Keeley Electronics gear available on our website for fast direct delivery direct to you from across sellers in all areas of the USA & UK.
Keeley Electronics is a well-respected American brand, renowned for its high-quality effects pedals, which blend cutting-edge technology with a deep understanding of tone. Founded by Robert Keeley in 2001, the company quickly gained a reputation for crafting pedals that offer exceptional clarity, versatility, and innovative features. Keeley’s products, such as the Katana Blues Driver, Caverns Delay/Reverb, and the Super Phat Mod, are known for their dynamic responsiveness and distinctive sound. Favoured by musicians across genres, Keeley pedals are designed to inspire creativity and are trusted for their reliability and tonal excellence.
Fuzz
Fuzz is a distinctive type of distortion effect used in guitar playing, known for producing a thick, saturated, and buzzy tone. Unlike other distortion effects that aim to mimic the sound of overdriven tube amplifiers, fuzz pedals create a more extreme and aggressive distortion by severely clipping the guitar signal. This results in a unique sound characterized by rich harmonics, extended sustain, and a pronounced edge. Key features of fuzz pedals include gain, tone, and level controls. The gain control adjusts the amount of distortion applied to the signal, with higher settings producing more aggressive tones. The tone control allows musicians to shape the frequency response of the effect, ranging from dark and bass-heavy to bright and treble-focused sounds. Lastly, the level control sets the overall output, ensuring that the fuzz effect matches the volume of the rest of the signal chain or amplifier.
Fuzz pedals are popular across various music genres, particularly in rock, blues, and psychedelic music, due to their ability to enhance different guitar-playing styles. For rhythmic riffs, fuzz pedals create thick and aggressive tones with plenty of sustain and grit, adding depth to power chords, riffs, and palm-muted passages. In lead solos, they allow guitarists to achieve soaring, saturated tones with singing sustain and harmonically rich overtones, helping solos stand out in a mix.
Fuzz pedals are versatile tools for creating experimental sounds, capable of producing oscillating feedback, glitchy textures, and otherworldly tones when pushed to their extremes. Overall, fuzz pedals offer guitarists a powerful means of shaping their tone and adding character to their playing. Whether used subtly for warmth or dialled up for extreme distortion, fuzz pedals inspire creativity and expand the sonic palette of any guitarist.
Guitar FX
Just Pedals is a new Guitar Effect Pedals Marketplace – We feature new and used Guitar Effect pedals from different sellers, to purchase online from the UK.
Pedal
A pedal is an electronic device that alters the sound of an electric guitar by applying various effects. Pedals are typically connected in a series between the guitar and amplifier, allowing guitarists to switch effects on and off with their feet while playing.
This enables musicians to quickly and easily change their sound, adding versatility and creativity to their performances.
Pedals are essential tools in many musical genres, including rock, blues, jazz, and metal, allowing artists to craft distinctive and dynamic soundscapes.
Once you buy one, you can’t stop and then you have to sell them and buy more.
Rotary
Vibe
Wah
A wah pedal, short for “wah-wah” pedal, is an effects pedal commonly used with electric guitars and occasionally with electric keyboards and bass guitars. It’s known for its distinctive sound, characterized by a sweeping, resonant filter effect that mimics the human voice saying “wah.” Here’s how a wah pedal works and some common features:
1. **Pedal Design**: A wah pedal typically consists of a foot-operated pedal and a housing unit. The pedal is attached to a potentiometer (variable resistor) inside the housing, which adjusts the frequency response of the audio signal based on the pedal’s position.
2. **Expression Pedal Compatibility**: Many wah pedals are compatible with expression pedals, allowing players to control the wah effect in real-time using their foot. This adds a dynamic and expressive element to the performance, enabling players to vary the intensity and speed of the wah effect as they play.
3. **Sweep Range**: The sweep range refers to the range of frequencies affected by the wah pedal. As the pedal is rocked back and forth, it sweeps through a range of frequencies, emphasizing certain frequencies while attenuating others. This creates the characteristic “wah” sound.
4. **Q Control**: Some wah pedals feature a Q control, also known as resonance or bandwidth control, which adjusts the width of the frequency band affected by the wah effect. Higher Q settings result in a narrower band of frequencies being emphasized, producing a more pronounced and focused wah sound, while lower Q settings produce a broader, more subtle effect.
5. **True Bypass**: Like many other effects pedals, wah pedals may feature true bypass circuitry to ensure that the pedal does not color or degrade the guitar signal when it’s not in use. True bypass preserves the tone and integrity of the instrument’s sound when the wah effect is bypassed.
6. **LED Indicator**: Some wah pedals include an LED indicator to indicate when the effect is engaged. This provides visual feedback to the player, especially useful in low-light settings or on dimly lit stages.
7. **Treadle Grip**: The treadle grip refers to the surface texture or material of the pedal’s foot surface. Some wah pedals feature textured or ribbed surfaces to provide better grip and control, especially when using the pedal with bare feet or in slippery conditions.
Overall, a wah pedal is a versatile and expressive effect that adds character and flair to guitar solos, rhythm playing, and improvisations. Whether used for funky rhythm parts, expressive lead lines, or experimental sounds, a wah pedal offers guitarists a wide range of creative possibilities for shaping their tone and adding dynamic expression to their playing.
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