Jim Dunlop Sepultura 40th Anniversary Cry Baby Wah Pedal

£209.00

This is a New Jim Dunlop Sepultura 40th Anniversary Cry Baby Wah Pedal from Jim Dunlop, listed in Wah & Filter Pedals on Just Pedals. Read More below.

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Celebrating Sepultura’s 40th anniversary and farewell tour, this limited edition Cry Baby was a collab between Dunlop and iconic wah-wah master Andrea Kisser. Used on some of their biggest hits, such as Resist/Refuse and Roots Bloody Roots, the Cry Baby has been an integral part of their groundbreaking sound.

Operating the Andreas Kisser Cry Baby Wah is straightforwardly simple and devastatingly effective at delivering the expressive energy that Andreas brings to bear. First, auto-return switching allows him to stomp in and out of the effect at will. Next, the Boost switch kicks in up to +15dB of gain as set by the Volume knob, and the Variable Q knob shapes the intensity of the wah effect from a a narrower bandpass to emphasize higher end harmonics to a wider bandpass that emphasizes lower end harmonics.

Get the Sepultura 40th Anniversary Edition of the Andreas Kisser Cry Baby Wah, and honor the epic contributions of one of metal’s greatest bands.

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Brand

Jim Dunlop

In the current JustPedals catalogue, Jim Dunlop is represented by Wah & Filter Pedals, Fuzz Pedals and Volume Pedals. Current listings include MXR GT Overdrive, DVP4 Volume X Mini and Slash Wah. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Wah & Filter Pedals

Wah and filter pedals move or emphasise a frequency range to create a vocal sweep, resonant peak, cocked-wah tone or envelope-controlled response. A treadle wah is controlled by foot position; an auto-filter follows playing dynamics or a control source. Sweep range, resonance, Q, bias, input loading and bypass all change the feel. Check whether the circuit prefers to see the guitar directly, how it handles bass or synth signals and where it should sit around fuzz, overdrive and modulation.