The Dunlop ECB004 is an 18V power supply for Dunlop effects pedals. It features 18 volts of DC current with a negative center. 0.5 amps. The ECB-004 is the right power supply for Dunlop’s older Crybaby Multi-wah, SW-95 Slash Wah, DD11 Dime Distortion, M108 10-band EQ, KFK1 10-band EQ, M134 Chorus, M117R Flanger, EVH 117 Flanger, and M181 Bass Blowtorch.
Jim Dunlop ECB004 18V AC Power Supply
This is the Jim Dunlop ECB004 18V AC Power Supply from Jim Dunlop, listed in Specialist Effects Pedals on Just Pedals. Read More below.
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Brand
Jim Dunlop
Jim Dunlop is a prominent American brand known for its production of musical accessories, particularly guitar pedals, tuners, strings, and picks. Established in 1965, Dunlop has built a strong reputation in the music industry, becoming one of the leading manufacturers of gear for guitarists, bassists, and other musicians. The company is especially famous for its iconic Wah pedals, such as the *Cry Baby*, which has been a staple in the rock and metal genres for decades.
In addition to their legendary Wah pedals, Jim Dunlop produces a wide range of other effects pedals, including distortion, overdrive, delay, reverb, and compression pedals, all known for their durability and high-quality performance. Dunlop’s products are used by musicians across various genres and are prized for their consistency, innovative features, and ease of use. Beyond pedals, Jim Dunlop is also well-regarded for its guitar strings, picks, and other accessories, making it a trusted name in the world of musical gear.
Category
Specialist Effects Pedals
Specialist effects alter the signal in ways that do not sit cleanly inside one established family. They may use granular processing, frequency shifting, resonators, freeze or sustain, bit reduction, ring modulation, feedback networks or combinations of several techniques. The relevant distinction is the underlying process, its tracking or latency, and how completely the dry signal can be blended or replaced.
Tags
Bass
Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.
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