JHS Pedals Little Black Buffer

£79.99

This is a New JHS Pedals Little Black Buffer from JHS Pedals, listed in Utility Pedals on Just Pedals. Read More below.

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The simplest of buffers. The JHS Pedals Little Black buffer solves your weak guitar signal issues. As a guitar signal passes through a long cable chain and lots of pedals in between your guitar and amp, you might find your sound spluttering and behaving erratically. The Little Black buffer raises your signal back up to full strength to complete your ideal tone.

Work out the point at where your guitar signal starts to suffer as a consequence of a long connection. Insert the Little Black buffer in right there and viola. Simple, clean, effective. The Little Black buffer can easily fit onto any pedalboard thanks to its compact size.

It’ll work great whether you play electric guitar or bass, and regardless of how many pedals you use.

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Brand

JHS Pedals

JHS Pedals grew from Josh Scott’s pedal-modification work in 2007 into a Kansas City effects maker. Scott’s first original designs followed in 2008; the Morning Glory began as his reinvention of the Marshall Bluesbreaker. The JustPedals catalogue carries the Morning Glory V4 and Muffuletta, along with practical tools such as the Little Black Buffer, Buffered Splitter and Little Black Amp Box. JHS describes its guitar pedals as made in Kansas City, USA. The range mixes original drive and fuzz designs with utility pedals, so the current listings show more than a single “boutique overdrive” identity.

Category

Utility Pedals

Utility pedals solve signal-path tasks rather than imposing one recognisable effect. Buffers restore level and high-frequency response lost through cable capacitance, selectors route between instruments or amplifiers, summing boxes combine paths, and isolators interrupt hum-producing ground loops. Impedance, phase, transformer isolation, active or passive circuitry and switching method determine whether the routing remains quiet and transparent.

Tags

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.