JHS 3 Series Phaser Pedal

£89.99

This is a New JHS 3 Series Phaser Pedal from JHS Pedals is in our Phaser Pedals category on Just Pedals. Read More below.

View Just
more

The 3 Series is JHS Pedals’ most affordable range yet, all the while packing their renowned high quality electronics for a supremely great tone! These are top notch effects made in the JHS Kansas City factory and are ideal for beginners and pros alike looking to expand their sonic options.

Raw JHS Pedals Tone

Gone are the array of dials found throughout the standard JHS pedal line-up. What you’re getting here is a refined, quality sound thanks to high-end electronic components and meticulous attention to detail from the Kansas City company. This is the ultimate plug-and-play pedal.

Here’s what JHS say about the 3 Series Phaser

The 3-Series Phaser is a versatile and easy to use six-stage phaser pedal inspired by the classic phaser circuits of the 1970s. It has all the standard phase tones you would expect, but because of its unique Blend control and Feedback toggle, you can achieve an even wider range of modern and experimental tones.

Toggle up adds resonance to the effect by feeding the output back into the input, creating a more intense phase by emphasizing certain frequencies.

Related videos

Brand

JHS Pedals

JHS Pedals grew from Josh Scott’s pedal-modification work in 2007 into a Kansas City effects maker. Scott’s first original designs followed in 2008; the Morning Glory began as his reinvention of the Marshall Bluesbreaker. The JustPedals catalogue carries the Morning Glory V4 and Muffuletta, along with practical tools such as the Little Black Buffer, Buffered Splitter and Little Black Amp Box. JHS describes its guitar pedals as made in Kansas City, USA. The range mixes original drive and fuzz designs with utility pedals, so the current listings show more than a single “boutique overdrive” identity.

Category

Phaser Pedals

A phaser splits the signal and shifts the phase of one path through a series of all-pass filter stages. When recombined, moving peaks and notches sweep across the spectrum, creating a rounded swirl rather than the evenly spaced comb filtering of a flanger. Stage count, feedback, centre frequency, rate and depth shape the width, resonance and pulse of the sweep.