Free The Tone AS-1R Ambi Space Digital Reverb Pedal

£365.00

This is a New Free The Tone AS-1R Ambi Space Digital Reverb Pedal from Free The Tone, listed in Reverb Pedals on Just Pedals. Read More below.

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By using FTT’s original algorithm, the AMBI SPACE combines various elements to achieve a mechanism for producing complex reverberation, through the use of a 32-bit dual core chip and a 32-bit high precision DSP. While the high quality, natural and musical sounding reverberation realized in this compact device can of course be used for electric guitars and basses, as well as for acoustic guitars and vocals, it is equally at home in other situations, such as recording and mixing.

In FTT’s newly developed and original reverb sounds “CAVE” and “SERENE”, the early reflections and late reverberation are added in multiple steps to realize a complex harmonic structure comprising enhanced frequency components, all of which creates an almost magical, transparent and spatial sounding reverb like you’ve never heard before. These new reverb sounds will stimulate your imagination.

By combining all of the analog and digital know-how accumulated so far by Free The Tone, the reverb effects unit AMBI SPACE was finally born after a long development period. Try it out and feel its sound.

Key features

  • The AMBI SPACE uses a dual core chip with a 32-bit main CPU and 32-bit co-processor and performs high speed calculations using the 32-bit high precision DSP to generate sounds comparable to those from rack mount effects units, although it is actually a compact effects unit.
  • Up to four settings of all knobs can be memorized as presets.
  • These four presets can be recalled by MIDI program-change numbers.
  • Six reverb modes are provided: SPRING, PLATE, ROOM, HALL, CAVE, and SERENE.
  • In Free The Tone’s unique reverb modes “CAVE” and “SERENE”, sounds with a rich harmonic structure are created by complex reverberation patterns being added to the reverb sound in multiple stages to realize unprecedented, transparent and spatial reverb sounds.
  • Original (dry) sounds pass through the unit from input to output as analog signals and are mixed with reverb sounds by the internal analog mixer, so the unit can output signals without spoiling the original sound quality.
  • The unit contains one of the major features of the Free The Tone products, the HTS (Holistic Tonal Solution) circuit. It manages signals comprehensively from input to output so that there is no change in sound character when the effect is turned on or off.

Specifications

  • Number of presets: 4
  • Input impedance: INST = min. 1MΩ / LINE = min. 300 kΩ
  • Output load impedance: min. 10 kΩ
  • Maximum input level: INST = +3 dBu / LINE = +11 dBu
  • Controls: PRE DELAY, DECAY, TONE, MIX, MODE, INST (-10 dB) / LINE (+4 dB) level select switch, KILL DRY switch
  • Terminals: 4 x 1/4″ phone jacks = L (mono) / R INPUT, L (mono) / R OUTPUT, 1 x DIN 5-pin connector = MIDI IN, 1 x DC 9V input jack (for AC adapter connection)
  • Power supply: 9V DC center negative polarity
  • Current consumption: approx.280 mA
  • Dimensions (W x D x H): 120 x 102.3 x 58.5 mm, 4.72 x 4.03 x 2.3 inches (incl. protrusions such as footswitches, jacks)
  • Weight: approx. 385 g, 0.85 lbs (excl. accessories)
  • Accessories: Warranty card, Owner’s manual, 4 x Rubber feet

Brand

Free The Tone

In the current JustPedals catalogue, Free The Tone is represented by Delay Pedals, Overdrive Pedals and Chorus Pedals. Current listings include IG-1N Integrated Gate, CC-1B Crunchy Chime Booster and ODL-1 Overdriveland Overdrive. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Reverb Pedals

Reverb pedals create the impression of rooms, plates, springs, halls or other spaces by surrounding the dry sound with a field of reflections. Decay controls length; pre-delay separates the attack from the ambience; damping, tone, modulation, diffusion and mix set size, brightness and movement. Short settings can add depth without washing out a part, while long tails become a deliberate texture. Check trails, spillover, stereo routing, presets, tap or MIDI control and the pedal’s headroom after drives.

Tags

Acoustic

Acoustic products are designed or voiced for acoustic instruments, including piezo, magnetic and microphone-based sources. Input impedance, body resonance, attack, EQ, compression, ambience and feedback control can all affect the result. Check whether the product is intended for acoustic guitar, another stringed instrument or general use, and confirm the connection, power and output format before placing it into a live PA or recording chain.

Analogue

Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.

Digital

Digital products use conversion and processing to create, store or control the effect. This can provide presets, complex routing, repeatable algorithms, USB, MIDI and firmware features, but conversion, latency, power requirements and clocking depend on the design. Check the input and output levels, sample or impulse-response support, bypass behaviour and current draw when combining a digital unit with analogue pedals or a direct recording setup.