Free The Tone Tri Avatar Multi-dimensional Chorus

£269.00

This is a New Free The Tone Tri Avatar Multi-dimensional Chorus from Free The Tone is in our Chorus Pedals category on Just Pedals. Read More below.

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Here's what Free the Tone say about the Tri Avatar Chorus

The Free The Tone "TRI AVATAR" is a next generation chorus pedal with four signal paths for three chorus sounds (three phases) and one dry signal. In stereo operation the first phase of chorus sound is assigned to the L side, the second phase to the L+R sides, and the third phase to the R side. In monaural operation all of the three phases are mixed together. By mixing three independent chorus sounds the TRI AVATAR adds more width and depth to its output and the result exceeds that which can be achieved by conventional stereo chorus pedals. Problems with usual chorus units such as unintentional pitch changes, sound images with blurred lower end, and noises relating to sweep timing have been solved by combining Free The Tone's analog and digital technologies and with its unique know-how. The result is our completely new chorus pedal that will amaze its users with the various incredible sounds that can be created by a single chorus pedal.

The conventional TA-1H has only four presets that can be saved settings, but the new TA-2H has significantly increased the number of presets to 128.
In addition, the new TA-2H employs the same AD/DA converter used in the FLIGHT TIME (digital delay), allowing you to enjoy a warmer mid-low range sound. Please experience the potential of the TA-2H, which produces a variety of sounds beyond the conventional concept of chorus pedals.

Features

  • The number of presets that can store settings has been greatly increased to 128.(Only presets 1 to 4 can be recalled on the unit. All presets 1-128 can be recalled using a MIDI controller.)
  • The sound quality adjustment of the chorus has been changed by replacing the HI-CUT control with a TONE control. Turning it to the right cuts the bass, and turning it to the left cuts the treble. This makes it possible to create a wider range of sounds.
  • In the TA-1H, the maximum Dry Mix level was 50% but you can adjust the Dry/Wet Mix level from 0% to 100% in the new TA-2H.
  • It is now possible to make finer adjustments to the chorus sound.
  • Three independent pitch-modulation signal paths and one dry signal path for mixing in the analog domain.
  • A widening effect characteristic of three-phase choruses is attained by 120Ëš shifting of the phase in each signal modulation path.
  • Supports both stereo and monaural operation. In monaural operation, all of signals from the three modulation paths are mixed, enabling diverse sound creation.
  • Next generation chorus sound with minimum noise has been attained by adopting 24-bit AD/DA converters and with Free The Tone's original signal processing and algorithms.
  • RATE or TONE parameters can be controlled in real-time from an expression pedal plugged into the EXP terminal.

Specifications

  • Number of presets: 128
  • Input impedance: min. 500k Ohm
  • Output load impedance: min. 10k Ohm
  • Maximum Input Level: +7dBu
  • Controls: RATE, TONE, DEPTH L/C/R, DRY MIX, LEVEL
  • Terminals: 4 x Standard 1/4" phone jack (IN, OUT/L (mono), OUT/R, EXT), DIN 5-P IN connector (MIDI IN), DC9V input jack (for connecting AC adapter)
  • Power supply: 9V DC centre negative polarity
  • Current consumption: 150 mA
  • Dimensions: (W x D x H, incl. protuberances such as footswitches, jacks) 120 x 102.3 x 58.5 mm
  • Weight (excl. accessories): approx. 380 g (0.84 lbs)
  • Accessories: Warranty card, Quick Start Guide, Safety Precaution, 4 x rubber feet.

Brand

Free The Tone

In the current JustPedals catalogue, Free The Tone is represented by Delay Pedals, Overdrive Pedals and Chorus Pedals. Current listings include IG-1N Integrated Gate, CC-1B Crunchy Chime Booster and ODL-1 Overdriveland Overdrive. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Chorus Pedals

Chorus mixes the dry signal with one or more short, continuously modulated delays. The small pitch and timing movement between the paths creates width, shimmer and the impression of several instruments playing together. Rate controls the modulation speed, depth controls its excursion, and delay or mix settings determine whether the result is subtle thickening, a liquid wobble or a broad stereo image.

Tags

Analogue

The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.

Digital

Converts the signal or control process into numerical data for algorithmic processing. Digital designs can provide precise timing, long memory, complex routing and repeatable presets; sample rate, conversion, internal resolution and latency influence fidelity and response.

Presets

Stores complete groups of parameter values for later recall. The number of locations, switching time, spillover behaviour and whether presets include routing, expression and MIDI assignments determine how completely one sound can change into another.

Stereo

Processes, creates or passes two audio channels. True stereo preserves separate left and right inputs, while mono-to-stereo effects generate spatial differences internally; routing, phase behaviour and whether trails remain stereo determine the resulting image. Some outputs sum to mono when only one socket is connected, which can change level or modulation depth.