The Fender Hammertone Boost Pedal is a versatile dual-mode boost designed to elevate your tone with precision and character. Featuring both a clean opamp boost and a harmonically rich JFET circuit it gives you the choice between transparent volume increase and a vintage-style flavour with added warmth and compression. With active bass and treble controls you can fine-tune your tone to suit any setup while the top-mounted jacks make it easy to slot into tight pedalboards. True bypass switching ensures your core signal remains untouched when disengaged and 9V or 18V operation offers flexible headroom for more dynamic response.
Fender Hammertone Boost Pedal
£69.00
This is the Fender Hammertone Boost Pedal from Fender, listed in Boost Pedals on Just Pedals. Read More below.
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Brand
Fender
Fender’s effects pedals combine classic tone with modern engineering, designed to capture the brand’s unmistakable character in stompbox form. From lush reverbs and spacious delays to gritty overdrives and smooth compressors, each pedal delivers studio-quality sound with player-friendly controls. Built in sturdy enclosures with clean styling and LED-lit knobs, Fender pedals bring both reliability and inspiration to any pedalboard, offering tones that suit everything from vintage blues to modern alternative.
Category
Boost Pedals
A boost raises signal level without deliberately creating a new effect waveform. Clean boosts emphasise level and headroom, while coloured boosts reshape bass, midrange or treble and may add mild clipping at higher settings. Placed before a gain stage, the extra level changes how that stage distorts; placed later, it can provide a volume lift if sufficient headroom remains.
Tags
Bass
Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.
True Bypass
Connects input directly to output through mechanical or relay switching when the effect is off, removing the active circuit from the audio path. It avoids buffer colour but leaves cable capacitance and switching design to influence high-frequency loss and possible switching noise.
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