Eventide H9 Harmonizer Gen 2

£599.00

This is the Eventide H9 Harmonizer Gen 2 from Eventide, listed in Multi-Effects Pedals on Just Pedals. Read More below.

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The Eventide H9 Harmonizer Gen 2 is a compact multi-effects pedal for demanding live and studio players. Combining the complete H9 Max collection with the full H90 algorithm lineup it gives you access to 74 effects covering delay reverb pitch shifting granular processing looping and vocal tools. Built on Eventides modern ARM processing platform it delivers improved fidelity alongside seamless preset spillover for smooth transitions during performances. The redesigned interface makes everyday use far quicker than previous H9 models. A larger display three Quick Knobs and dedicated performance modes help you navigate presets and adjust parameters directly from the pedal without relying on external software. SIFT polyphonic pitch technology also brings highly detailed tracking for harmonies and synth-style textures. With stereo I/O MIDI connectivity Bluetooth support and flexible routing options the H9 Gen 2 fits comfortably into pedalboards hybrid rigs and studio setups.

Brand

Eventide

Eventide is a renowned American company specializing in advanced audio effects processors and plugins for musicians, engineers, and producers. Founded in 1970, Eventide gained early recognition for its groundbreaking digital effects, such as the H910 Harmonizer, which introduced pitch-shifting and time-based effects to the industry.

Over the decades, the company has continued to innovate, producing high-quality rackmount units, pedals, and software that offer complex, studio-grade effects including reverb, delay, modulation, and pitch shifting. Eventide’s products are highly regarded for their versatility, pristine sound quality, and sophisticated features, making them a staple in both live and studio environments across various genres.

Category

Multi-Effects Pedals

A multi-effects processor combines several effect algorithms and signal-routing stages in one unit. Its sound depends not only on the individual models but on their order, parallel or serial routing, processing resolution and available control. Preset structure, switching gaps, foot control, expression assignment, amp or cabinet modelling, USB audio and MIDI determine how completely the processor can replace separate pedals.

Tags

Bluetooth

Provides a short-range wireless data or audio connection. Depending on the design it may carry backing audio, editing commands, preset management or MIDI rather than the live instrument signal; codec delay and supported Bluetooth profiles determine what the connection can do.

Hybrid

Combines analogue and digital stages within one signal or control design. A digital section may provide memory, routing or modelling while analogue circuitry supplies clipping, filtering or amplification, so the order and blend of the two domains shape the final response.

MIDI

Sends, receives or responds to Musical Instrument Digital Interface messages rather than carrying the instrument audio itself. Program changes recall presets, continuous controllers move parameters, and MIDI clock or transport messages synchronise timing between devices.

Stereo

Processes, creates or passes two audio channels. True stereo preserves separate left and right inputs, while mono-to-stereo effects generate spatial differences internally; routing, phase behaviour and whether trails remain stereo determine the resulting image. Some outputs sum to mono when only one socket is connected, which can change level or modulation depth.

Vocal

Designed for microphone-level signals and the frequency, dynamics and feedback behaviour of the human voice. Input gain, balanced connections, phantom power and pitch tracking may be provided so effects respond correctly before the signal reaches a mixer or PA.