Electro Harmonix Nano Bass Balls FX Pedal

£69.99

This is the Electro Harmonix Nano Bass Balls FX Pedal from Electro Harmonix, listed in Specialist Effects Pedals on Just Pedals. Read More below.

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ELECTRO-HARMONIX NANO BASSBALLS

Sleek, small and funky, the exact twin of the legendary Bassballs. Same controls, same sound but now in a pocket size, die-cast case. The twin-tuned filters sweep your instrument’s signal giving a unique vocal tone. Use the mild distortion switch to add throatiness. Great on bass and guitar.

The Electro Harmonix Nano Bassballs Twin Envelope Filter Effects Pedal has everything you loved about the original Bassballs in a pocket size. The human vocal-like sound of its two sweeping filters gives bass a strong presence under leads, or a commanding quality when out front. The resonant frequencies are engineered solidly into the full range of the bass guitar’s strongest harmonics. Bassballs will respond to every bass note. The sweep is widely variable, and harmonic enrichment is available with the distortion switch.

The Nano Bassballs comes in a small, die-cast case with rounded corners, saving valuable pedalboard space. The footswitch selects your original signal or the filtered signal as the Bassballs output.

The range of the filters upward sweep in pitch is set by the interaction of instrument volume and the sensitivity control. Both stronger attacks and higher (clockwise) control settings increase the sweep range.

Low volume and low sensitivity settings will create little or no sweep, and Bassballs will only provide a small boost in its lowest frequencies. In its upward position, the fuzz switch introduces additional harmonic enrichment that accentuates the filters action. The sensitivity pot also serves as a volume control for the fuzz, also increasing in the clockwise direction.

Specifications

  • 2 sweeping filters
  • Small die-cast case
  • Includes 9V Battery – optional power supply available

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Brand

Electro Harmonix

Electro-Harmonix (EHX) is a legendary manufacturer of guitar pedals and audio electronics, renowned for their distinctive sound and pioneering designs. Established in 1968 by Mike Matthews, EHX has played a significant role in shaping the landscape of effects pedals. The company’s pedals are celebrated for their innovative circuits and unique tones, earning them a dedicated following among musicians across genres. From classics like the Big Muff Pi fuzz to modern favorites like the POG octave generator, Electro-Harmonix pedals are known for their versatility and sonic character.

EHX’s product lineup spans a wide range of effects categories, including distortion, modulation, delay, and reverb, among others. Their pedals often feature intuitive controls and rugged construction, making them suitable for both stage and studio use. In addition to their iconic standalone pedals, Electro-Harmonix has also produced notable units such as the Memory Man delay/echo and the Holy Grail reverb, which have become staples in many guitarist’s rigs. With a legacy of innovation and a commitment to quality, Electro-Harmonix continues to be a leading force in the world of guitar effects, inspiring musicians to explore new sonic possibilities.

Category

Specialist Effects Pedals

Specialist effects alter the signal in ways that do not sit cleanly inside one established family. They may use granular processing, frequency shifting, resonators, freeze or sustain, bit reduction, ring modulation, feedback networks or combinations of several techniques. The relevant distinction is the underlying process, its tracking or latency, and how completely the dry signal can be blended or replaced.

Tags

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.

Vocal

Designed for microphone-level signals and the frequency, dynamics and feedback behaviour of the human voice. Input gain, balanced connections, phantom power and pitch tracking may be provided so effects respond correctly before the signal reaches a mixer or PA.