Dreadbox Kinematic VCA-Based Compressor Pedal

£169.99

This is a New Dreadbox Kinematic VCA-Based Compressor Pedal from Dreadbox, listed in Compressor Pedals on Just Pedals. Read More below.

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Greek synth wizards Dreadbox have taken their first step into the realm of effects pedals, with their retro-styled Lethargy, Darkness & Kinematic stompboxes!

The Kinematic is a VCA-based compressor and envelope filter suitable for guitars, basses, synthesisers and even drum machines — with eurorack patch compatibility too. Embellishing your tones with vintage-esque analogue squeeze, the Dreadbox Kinematic's built-in overdrive circuit also allows you to dramatically distort any dry or anaemic-sounding signal with saturated, hair-raising gain!

Key Features

  • Fully-analogue, VCA-based compressor with band-boost filter and extreme compression ratio.
  • Envelope filter and low-pass filter with slow envelope curve.
  • Post-diode overdrive circuit adds musical grit to any instrument signal.
  • Level boost — up to +18dB on tap!
  • 3 patch points make this unit perfect for modular synth fans.

Specifications

  • Circuit: Analogue
  • Bypass: CMOS
  • Audio: Mono
  • Power: 9VDC (center pin negative, 2.1mm)
  • Current Draw: 85mA
  • Dimensions (cm): 14 x 10 x 5.6

Inputs & Outputs

  • In/Out: TS unbalanced 6.4mm jack
  • Filter/Level/EG Out: 3.5mm mini jack

Brand

Dreadbox

In the current JustPedals catalogue, Dreadbox is represented by Delay & Reverb Pedals, Fuzz Pedals and Tremolo & Vibrato Pedals. Current listings include Disorder Analogue Filter Fuzz, Darkness Digital Stereo Reverb and Kinematic VCA-Based Compressor. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Compressor Pedals

Compressor pedals reduce dynamic range by turning louder peaks down and raising or sustaining the average level. Attack and release determine whether the pick transient remains sharp or is softened; ratio, threshold, blend and output gain decide whether the result is discreet control or an obvious effect. Compression can even out clean picking, add sustain before an overdrive, tighten bass or provide a steady vocal signal, but it can also raise noise and reduce touch contrast. Check the controls and gain structure before placing one in a busy chain.

Tags

Analogue

Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.