The Carcosa is rooted firmly in the fuzz boom of the 70s. It's got a silicon circuit which gives you great mid-range clarity and attack but the 'After' bias control allows you to toggle between tame, pokey fuzz tones and all out wild sounds. From Black Sabbath and beyond!Two ModesWith the toggle switch you can optimise the pedal for a dirty amp or a clean amp. The Hali mode is for dirty amps which will only apply a light, but tight sounding fuzz. The Demhe mode has been enhanced for clean amps with a low-end and mid-range bump.[video_3]Here's what DOD say…
here at Just Pedals we love this DOD Carcosa Fuzz Pedal.
The Carcosa is rooted firmly in the fuzz boom of the 70s. It's got a silicon circuit which gives you great mid-range clarity and attack but the 'After' bias control allows you to toggle between tame, pokey fuzz tones and all out wild sounds. From Black Sabbath and beyond!
Two Modes
With the toggle switch you can optimise the pedal for a dirty amp or a clean amp. The Hali mode is for dirty amps which will only apply a light, but tight sounding fuzz. The Demhe mode has been enhanced for clean amps with a low-end and mid-range bump.
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Here's what DOD say about the Carcosa
The DOD Carcosa Fuzz is a doorway into an alternate fuzz universe, where classic tones of legend coexist with splattered and shattered Pollock abstractions. Combining the Carcosa's wide-ranging AFTER bias control with two toggle positions creates tones that range from porcine fatness to dessicated shards. This versatility makes the Carcosa Fuzz a good companion for dirty or clean amps. True bypass, tons of output, and the visage of the King in Yellow sets the stage for fuzzy madness.
The DOD Carcosa Fuzz has an exaggerated mid-range and treble character that help it stand out in a mix. It has been designed to cut through a dense and heavy band but still have great note articulation with chords. However, when extreme bias (AFTER) ranges are selected many wild and over-the-top sounds are possible.
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DOD, which stands for “David Oreste Di Francesco” and “Overdrive Distortion,” is a sister brand to DigiTech and has a long history of producing analog effects pedals. DOD pedals are celebrated for their simplicity, robust construction, and classic tones that appeal to traditionalists and modern players alike.
Popular DOD pedals include:
DOD 250 Overdrive Preamp: This pedal is a classic, known for its simple yet effective design that delivers a wide range of overdrive tones, from mild boost to full-on distortion. It’s prized for its transparency and dynamic response. Rubberneck Analog Delay: The Rubberneck combines vintage analog delay tones with modern features like tap tempo, modulation, and adjustable feedback, offering a blend of old-school charm and contemporary functionality. Phasor 201: The Phasor 201 is celebrated for its warm, vintage phase-shifting effects, providing a smooth, musical modulation that enhances both clean and overdriven tones.
Both DigiTech and DOD have made significant contributions to the world of guitar effects, with their pedals being used by countless musicians across different genres. DigiTech is often preferred for its digital innovation and versatility, while DOD is cherished for its analog warmth and straightforward design.
Fuzz
Fuzz is a distinctive type of distortion effect used in guitar playing, known for producing a thick, saturated, and buzzy tone. Unlike other distortion effects that aim to mimic the sound of overdriven tube amplifiers, fuzz pedals create a more extreme and aggressive distortion by severely clipping the guitar signal. This results in a unique sound characterized by rich harmonics, extended sustain, and a pronounced edge. Key features of fuzz pedals include gain, tone, and level controls. The gain control adjusts the amount of distortion applied to the signal, with higher settings producing more aggressive tones. The tone control allows musicians to shape the frequency response of the effect, ranging from dark and bass-heavy to bright and treble-focused sounds. Lastly, the level control sets the overall output, ensuring that the fuzz effect matches the volume of the rest of the signal chain or amplifier.
Fuzz pedals are popular across various music genres, particularly in rock, blues, and psychedelic music, due to their ability to enhance different guitar-playing styles. For rhythmic riffs, fuzz pedals create thick and aggressive tones with plenty of sustain and grit, adding depth to power chords, riffs, and palm-muted passages. In lead solos, they allow guitarists to achieve soaring, saturated tones with singing sustain and harmonically rich overtones, helping solos stand out in a mix.
Fuzz pedals are versatile tools for creating experimental sounds, capable of producing oscillating feedback, glitchy textures, and otherworldly tones when pushed to their extremes. Overall, fuzz pedals offer guitarists a powerful means of shaping their tone and adding character to their playing. Whether used subtly for warmth or dialled up for extreme distortion, fuzz pedals inspire creativity and expand the sonic palette of any guitarist.
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Pedal
A pedal is an electronic device that alters the sound of an electric guitar by applying various effects. Pedals are typically connected in a series between the guitar and amplifier, allowing guitarists to switch effects on and off with their feet while playing.
This enables musicians to quickly and easily change their sound, adding versatility and creativity to their performances.
Pedals are essential tools in many musical genres, including rock, blues, jazz, and metal, allowing artists to craft distinctive and dynamic soundscapes.
Once you buy one, you can’t stop and then you have to sell them and buy more.
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