Darkglass Vintage Microtubes Bass Overdrive Pedal

£199.99

This is the Darkglass Vintage Microtubes Bass Overdrive Pedal from Darkglass Electronics, listed in Overdrive Pedals on Just Pedals. Read More below.

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The Darkglass Vintage Microtubes is the essence of great rock bass tones put in a single drive pedal. With a simple 4 knob control setup this powerful not overly saturated bass overdrive can go from a very light boost to heavy rock bass with the thundering lows of an array of 8×10″ cabs.

70’s, 80’s, or 90’s

One of the things that makes this pedal a great choice is the use of the Era control. When dialed down you get the sound of the 70’s with a bit lower output. Turn it up and you start to fill a bit more of the heat as you go through the 80’s and 90’s with more agressive bass styles coming through. Overdriven bass can be used for almost any style so having a pedal that can dial in the perfect amount at a moments notice is a great option for those who are not set in one style.

Four Simple Controls

With a bass overdrive like this you don’t want anything too complicated. You already have a great clean tone you love, you just a way of getting that supper powerful low end thunder out of what you currently have. So that is why DarkGlass kept this nice and simple with just level, drive, blend and era controls. The Era control we explained above and it is fairly simple to work out the rest.

The interesting part is the use of a Level and Blend control which lets you set the output level of the pedal and also how that blends in with the clean signal. This is for that extra level of control that is really hard to get with a single volume or blend control set up and is perfect for making sure everything sits in the mix perfectly.

Here’s what Darkglass say about the VIntage Microtubes

The Microtubes Vintage is our tribute to some of the most legendary sounds in rock history. It provides warm tube-like tones with a natural dynamic response that echoes the organic compression of old tube amps and reel-to-reel tape machines.

Specifications

  • Level: Sets the volume of the overdriven signal.
  • Drive: Sets the amount of saturation in the overdriven signal.
  • Blend: Mixes the clean input signal with the overdriven signal. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine control of the blend ratio.
  • Era: Interacts with the Drive knob to shape the character of the pedal. Dial it down to get the warm midrange tones of the 70s or crank it up to get the punchy metallic tones of 80s and 90s rock.
  • Dimensions: 11.3×7.5 cm (4.45×2.95 in)

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Brand

Darkglass Electronics

Darkglass Electronics is a highly respected manufacturer of bass amplification and effects pedals, based in Helsinki, Finland. Founded in 2009 by Douglas Castro, Darkglass Electronics has quickly risen to prominence within the bass community for its innovative designs, exceptional sound quality, and meticulous craftsmanship.

Darkglass pedals are known for their ability to produce powerful and versatile tones that cater specifically to the needs of bassists. One of their most acclaimed products is the Microtubes B7K Bass Overdrive, which offers a wide range of overdriven and distorted tones while retaining clarity and definition in the low end. This pedal has become a staple on the pedalboards of many professional bass players across various genres.

In addition to overdrive and distortion pedals, Darkglass Electronics also offers a variety of other effects pedals, including preamps, compressors, EQs, and modulation effects, all designed to enhance and sculpt the bass guitar’s tone.

Darkglass Electronics has gained a loyal following among bass players worldwide for its commitment to innovation, quality, and sonic excellence. With their dedication to pushing the boundaries of bass tone, Darkglass continues to be at the forefront of bass gear technology, inspiring bassists to explore new sonic possibilities.

Category

Overdrive Pedals

Overdrive uses soft or moderate clipping to add harmonics and compression while retaining more of the original note shape than heavy distortion. Some circuits emphasise the midrange and trim bass before clipping; others remain broad, transparent or amplifier-like. Gain, clipping arrangement, headroom and tone filtering decide whether it supplies a light edge, a saturated drive sound or extra push into another gain stage.

Tags

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.