Boss IR-200 Amp & IR Cabinet Sim Pedal

£379.00

This is a New Boss IR-200 Amp & IR Cabinet Sim Pedal from Boss, listed in Specialist Effects Pedals on Just Pedals. Read More below.

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The IR-200 is a powerful new pedal-based amp simulator and impulse response loader and is the latest addition to Boss’ popular 200 series. Delivering next-level sound and performance for guitar and bass, the IR-200 transforms your pedalboard into a self-contained direct sound solution for live playing, studio recording, and home practice.

Offering incredible audio quality, authentic amp tones and extensive sound shaping, the IR-200 is loaded with over 150 high quality cab impulse responses from Boss and Celestion Digital. There are also an additional 128 slots for loading your own IRS too! The IR-200 is also packed with a host of useful stereo effects including modulation, delay and reverb, allowing you to add those finishing touches to your tone.

The pedalboard friendly IR-200 seamlessly integrates with you favourite stomp boxes allowing you to send your perfectly crafted tones directly to an amplifier, PA system, recording interface or headphones – or all of them simultaneously! It’s never been easier to take your favourite tones and go direct!

Key Features

  • 32-bit AD/DA, 32-bit floating-point processing, and 96 kHz sampling rate
  • 128 user IR slots with support for mono and stereo WAV files, up to 32-bit floating point/96 kHz resolution, and 200 or 500 ms length
  • Large onboard preset cab IR library with 144 BOSS IRs and 10 Celestion Digital IRs
  • Class-leading IR reproduction with two custom DSPs 
  • Eight guitar and three bass amp types to cover a wide range of styles
  • Run up to two IRs at once in mono or stereo
  • 128 memories for storing user setups
  • Two EQs in each memory plus two global EQs, all with selectable parametric or graphic operation
  • Room, Studio, and Hall ambience types
  • Effects loop with mono send and mono/stereo return, with selectable pre-cab or post-EQ positioning
  • Dedicated software for loading cab IRs and backing up memories
  • Versatile USB audio interface for recording and playback with music software on Mac and Windows computers and iOS devices
  • Deep external control support via footswitches, an expression pedal, and TRS MIDI

Specifications

  • Sampling Frequency: 96 kHz
  • AD Conversion: 32 bits + AF method (Adaptive Focus method is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters).
  • DA Conversion: 32 bits
  • Processing: 32-bit floating point
  • Memory: 128
  • IR Cabinet Data Format: Mono/stereo, 96 kHz, 24 bits
  • Preset IR Cabinet: 154
  • User IR Cabinet Slot: 128
  • Normal Input Level: INPUT, RETURN: -10 dBu, AUX IN: -20 dBu
  • Maximum Input Level: INPUT, RETURN: +7dBu, AUX IN: 0 dBu
  • Input Impedance: INPUT, RETURN: 1 M ohm, AUX IN: 27 k ohms
  • Normal Output Level: OUTPUT (A/MONO, B), SEND, PHONES: -10 dBu
  • Maximum Output Level: OUTPUT (A/MONO, B), SEND, PHONES: +7dBu
  • Output Impedance: OUTPUT (A/MONO, B), SEND: 1k ohm, PHONES: 44 ohms
  • Recommended Load Impedance: OUTPUT (A/MONO, B), SEND: 10 k ohms or greater, PHONES: 44 ohms or greater
  • Controls: DOWN switch, UP switch, MENU button, EXIT button, MEMORY knob, AMP knob, CABINET knob, AMBIENCE knob, GAIN knob, LEVEL knob, BASS knob, MIDDLE knob, TREBLE knob
  • Display: Graphic LCD (132 x 32 dots, backlit LCD)
  • Connectors: INPUT, SEND, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type, RETURN jack: 1/4-inch TRS phone type, AUX IN: Stereo miniature phone type, CTL 1, 2/EXP jack: 1/4-inch TRS phone type, MIDI (IN, OUT) connectors: Stereo miniature phone type, USB COMPUTER port: USB Micro-B type, DC IN jack
  • Power Supply: AC adaptor
  • Current Draw: 335 mA
  • Dimensions: 101 (W) x 138 (D) x 63 (H) mm / 4 (W) x 5-7/16 (D) x 2-1/2 (H) inches, 101 (W) x 138 (D) x 65 (H) mm / 4 (W) x 5-7/16 (D) x 2-9/16, (H) inches (including rubber feet)
  • Weight (excluding AC adaptor): 660 g (1 lb 8 oz)
  • Accessories: AC adaptor, Owner’s Manual, Leaflet “USING THE UNIT SAFELY”, Rubber foot x 4

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Brand

Boss

In the current JustPedals catalogue, Boss is represented by Multi-Effects Pedals, Delay Pedals and Distortion Pedals. Current listings include PW-3 Wah, PX-1 Plugout FX and FZ-5 Fuzz. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Specialist Effects Pedals

Specialist effects alter the signal in ways that do not sit cleanly inside one established family. They may use granular processing, frequency shifting, resonators, freeze or sustain, bit reduction, ring modulation, feedback networks or combinations of several techniques. The relevant distinction is the underlying process, its tracking or latency, and how completely the dry signal can be blended or replaced.

Tags

Amp Simulator

Amp simulator products emulate or model the gain, frequency response and dynamic behaviour of a guitar amplifier. Some are preamp pedals, while others include power-amp behaviour, cabinet filtering, impulse responses or direct outputs. Check whether the model expects a real cabinet, power amp, interface, PA or headphones, and whether its cabinet stage can be bypassed. Input level, output headroom and routing make a larger difference than the label alone.

Bass

Bass products are designed or voiced to retain low-frequency information and usable headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression, crossover points or drive character. A guitar pedal can sometimes work well on bass, but it may remove the fundamental or compress the transient. Check the frequency response, input impedance, output level and dry-signal path with the intended tuning and amplifier.

Digital

Digital products use conversion and processing to create, store or control the effect. This can provide presets, complex routing, repeatable algorithms, USB, MIDI and firmware features, but conversion, latency, power requirements and clocking depend on the design. Check the input and output levels, sample or impulse-response support, bypass behaviour and current draw when combining a digital unit with analogue pedals or a direct recording setup.

Presets

Preset-capable products can store and recall effect settings, signal paths or control assignments. The useful differences are the number of locations, whether footswitches or MIDI can recall them, what parameters are saved, how quickly they change and whether trails continue between settings. Check editing, backup, firmware, expression and USB requirements, and confirm that the preset system covers the parameters you need rather than assuming every control is recalled.

Stereo

Stereo products provide separate left and right audio paths, which may widen modulation, preserve independent delays or route a pedalboard into two amplifiers or a mixer. Input and output behaviour is not always symmetrical: some units sum a stereo input, while others create stereo from a mono source. Check whether the effect collapses safely to mono, how the dry signal is routed, the socket format and the destination’s panning and phase requirements.