BOSS DD500 Digital Delay Pedal

£429.00

This is the BOSS DD500 Digital Delay Pedal from Boss, listed in Delay Pedals on Just Pedals. Read More below.

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The new ultimate delay pedal is here. The Boss DD-500 takes their years of research in creating both digital and analogue effects to make one of the most versatile delay pedals available today. With 12 delay modes, MIDI connectivity, multiple user patch spaces, phrase looper and the option of buffered or true bypass operation makes this is one serious bit of kit.

Unbeatable Quality
I am sure when some of you hear the term ‘digital delay’ you get memories of old unnatural sounding units with poor processing. Well those days are long gone and with the DD-500 featuring 32-Bit/96 kHz processing you can rest assured that your delay tones will come out as crisp and clear as any analogue pedal. Don’t want to digitise your clean signal- Perfect as the DD-500 actually keeps your clean signal from ever entering the digital side of the pedal. By completely bypassing that your dry clean signal is not processed in anyway keeping 100% of your tone.

So Much Delay
With 12 different types of delay found in this pedal you can cover pretty much any effect you ever needed. From standard digital delays that have crisp and clear overtones to vintage inspired tape emulations here is the full list of internal effects. 

  • Standard – Digital Delay
  • Analog – BBD like delay similar to BOSS DM series
  • Tape – Emulates the sound of the Maestro Echoplex and Roland RE-201 Space Echo
  • Vintage Digital – 1980’s style digital delay like the SDE-2000 and 3000 units from Roland
  • Dual – Two different delay lines based on the Standard patch
  • Pattern – Up to sixteen different delay lines that can be set up to create incredible rhythmic like effects
  • Reverse- Backwards delay for sweet psychedelic effects
  • SFX – A range of weird and wonderful effects perfect for adding accents to your songs
  • Shimmer – A range of pitch shifted delays for that chorus of angels like effect.
  • Filter- Take the standard delay and add in a sweeping filter. Perfect for long held chords.
  • Slow Attack – Ethereal like sounds that come in slowly along with your guitars dry signal.
  • Tera Echo – Based on the modern classic BOSS TE-2 pedal for some out of this world sounds

For Stage and Studio
While some pedals sound great live and others in the studio the DD-500 prides itself on working great in any environment. This is thanks to the excellent amount of controllability you have with this pedal. Not only do you have three footswitches on the pedal to access different banks of effects and utilise the built in looper but you can also add extra footswitches to control things like tap tempo, hold and more.
Add in full MIDI control that can come from any external controller of your choice including you DAW of choice at the studio and you have access to control not possible before on many other guitar based delay units.

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Brand

Boss

Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.

Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.

Category

Delay Pedals

Delay records the incoming signal for a chosen interval and repeats it after the original note. Feedback returns repeats to the delay line, while tone, filtering, modulation and saturation determine whether echoes remain clear, darken progressively, wobble like tape or degrade like analogue bucket-brigade circuits. Delay time and rhythmic subdivisions govern the spacing and musical pattern of the repeats.

Tags

Analogue

The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.

Digital

Converts the signal or control process into numerical data for algorithmic processing. Digital designs can provide precise timing, long memory, complex routing and repeatable presets; sample rate, conversion, internal resolution and latency influence fidelity and response.

DIY Kit

Supplied as components and hardware to be assembled into a working pedal. Circuit complexity, board layout, enclosure preparation and off-board wiring set the difficulty, while accurate component values, polarity and solder joints determine the final noise, reliability and sound.

MIDI

Sends, receives or responds to Musical Instrument Digital Interface messages rather than carrying the instrument audio itself. Program changes recall presets, continuous controllers move parameters, and MIDI clock or transport messages synchronise timing between devices.

True Bypass

Connects input directly to output through mechanical or relay switching when the effect is off, removing the active circuit from the audio path. It avoids buffer colour but leaves cable capacitance and switching design to influence high-frequency loss and possible switching noise.