The Behringer MEATBALL Retro Envelope Filter Pedal is ideal for players who want dynamic touch-responsive filtering that brings character to guitar bass and other instruments. You can shape how the filter behaves with sensitivity attack decay and resonance controls helping you match the pedal to your style so it reacts naturally to your playing.The blend control makes it easy to decide how much of your clean signal stays in the mix which is helpful when you want subtle movement rather than a full sweep. An expression input gives you the option to take manual control whenever you like offering more freedom during rehearsals or live sets. True bypass keeps your tone clean and the sturdy housing is built with regular gigging in mind.
Behringer MEATBALL Retro Envelope Filter Pedal
This is a New Behringer MEATBALL Retro Envelope Filter Pedal from Behringer, listed in Wah & Filter Pedals on Just Pedals. Read More below.
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Brand
Behringer
Behringer was founded in 1989 by musician and sound engineer Uli Behringer, who began building equipment because he could not afford the studio gear he needed. The company has since grown into a broad audio supplier, and its JustPedals listings cover guitar, bass and utility units rather than effects alone. Examples include the DR600 digital reverb, EQ700 graphic equalizer, UT300 tremolo, BDI21 bass preamp, acoustic preamp and TU300 tuner. This spread makes model-level detail useful: check the instrument, circuit type and intended signal-chain role instead of assuming every Behringer listing is a guitar effect.
Category
Wah & Filter Pedals
Wah effects sweep a resonant band-pass or related filter through the frequency spectrum, creating the vowel-like movement associated with the treadle. Envelope filters move automatically in response to picking level, while fixed and sequenced filters use other control sources. Sweep range, resonance, direction, sensitivity and input loading determine whether the response is vocal, percussive, smooth or sharply synthetic.
Tags
Bass
Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.
Expression Input
Accepts a variable control signal from an external expression pedal. It assigns foot movement to a parameter such as delay time, pitch, mix or modulation depth; connector wiring, polarity, resistance range and assignability must match the controlling pedal.
True Bypass
Connects input directly to output through mechanical or relay switching when the effect is off, removing the active circuit from the audio path. It avoids buffer colour but leaves cable capacitance and switching design to influence high-frequency loss and possible switching noise.
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