Asheville Music Tools ADG-1 Anologer Delay Pedal in Textured Black

£419.00

Next up on the JustPedals smorgasbord, is tasty Delay Pedals from Asheville, delivered to any location in the UK. Their Chef has a lot to offer here with the Asheville Music Tools ADG-1 Anologer Delay Pedal in Textured Black. It is in stock, it is NEW, its delivered in a nice box and it is delivered fresh to any location in the UK at a great price.. Just Read more Delay Pedals details below.


Description

The JustPedals team think the Asheville Music Tools ADG-1 Anologer Delay Pedal in Textured Black is a tasty New Delay Pedals option for your smorgasbord (pedalboard). Just Read More for images videos and latest prices from the Asheville brand and delivered by a UK retailer, with warranty & more.

Here’s what Asheville Music Tools ADG-1 Anologer Delay Pedal in Textured Black:

The ADG-1 is the latest installment in Hawker’s legacy of highly sought-after analog delay designs. Utilizing a pair of Xvive™ high voltage BBDs, this delay features up to 700ms of harmonically rich, perfectly floating echoes with an extensive and fully analog control set unprecedented for a pedal of its size. From a bright country slapback to washy dotted eight leads to psychedelic modulated odysseys, the ADG-1 is the new standard in compact analog delays.

The ADG-1 includes over 400 carefully selected components. The entire signal chain utilizes premium audio-grade op amps and high-tolerance, non-microphonic capacitors to guarantee high performance, temperature stability, and low noise.

We began with a classic delay architecture using a pair of studio grade Xvive™ MN3005 reissue Bucket Brigade Devices (BBDs) and a high voltage step-up power supply for maximum headroom. We implemented a tightly calibrated vintage-style compander and incredibly deep, discrete transistor, 5th-order anti-aliasing and reconstruction filters to provide a familiar character with superior clarity, noise reduction and dynamic feel. Our feedback circuit uses a voltage-controlled transconductance amplifier, which provides Hawker’s classic feedback tone while offering the most accurate method for dialing in infinite repeats without runaway or for achieving total feedback overload.

The input preamplifier is critical to the sound of any analog effect. A discrete, high impedance, JFET input stage provides consistent operation across all sound sources and can be used as an always-on buffer. The preamplifier and drive circuit can be used to overdrive the delay line and mixer section for unique artifacts and character that only an analog delay can provide.

We spared no opportunity for flexible control while maintaining a completely analog circuit. The clock generation, modulation oscillator, and even the switching logic are all fully analog in nature. Our clock VCO, with temperature compensated exponentiator, drives the BBDs at extremely high current to eliminate artifacts and provide for a clearer sound. An assignable Expression/CV input expands the flexibility to the limits of user creativity: use an expression pedal to warp the delay time, swell in self-oscillating feedback, or add a modulated vibrato flourish in real time.

An effect of this complexity depends entirely on its power supply and input protection. We took every measure possible to eliminate sources of noise and radio frequency interference (RFI/EMI), as well as protect from electrostatic discharge (ESD) spikes to ensure carefree operation in any studio or performance environment. Our step-up high voltage power supply operates in the MHz range, well beyond the audio band and most other pedals. All voltage sources are highly filtered to eliminate noise and crosstalk between the BBD clock, LFO, and other sections with a multilayer PCB utilizing dedicated split power and ground planes. The power input is fully protected from reverse polarity and over-voltage conditions.

Specifications

  • 100% Analog signal path
  • Switchable true bypass or JFET-buffered bypass with switchable trails
  • Power: 9VDC @ <150mA (85mA Nominal, up to 250mA start up.)
  • Expression / CV input assignable to Time, Feedback, Mod Amount, or Mod Rate (CV range is 0-5V). Ring supplied current limited 5V.
  • Delay time: 35-700ms in dual BBD mode, 16-350ms in single BBD mode, 27-900ms (or 13-450ms) with external CV control
  • Input impedance: >1MΩ
  • Output impedance: 1KΩ Max
  • Max input level: +15dBu (4.3V RMS)
  • Max output level: +14dBu (3.9V RMS)
  • Maximum drive: >22dB (covers attenuation to gain)
  • Noise Reduction: 2:1 broadband with 12dB HF emphasis
  • Physical Specifications:
  • Genuine Hammond™ die-cast aluminum enclosure
  • Dimensions: D=4.90” (12.5 cm), W=3.70” (9.4 cm), H=2.25” (5.8 cm)
  • Weight: 15oz (0.425kg)

Brand

Asheville

Category

Delay Pedals

Delay pedals repeat your guitar signal to create echoes, rhythmic patterns and spacious textures. They can be used subtly to add depth, or more dramatically for dotted-eighth repeats, slapback rockabilly sounds, ambient layers and experimental soundscapes.

Different delay types offer very different characters, from warm analogue repeats to clean digital echoes and tape-style modulation. A delay pedal is one of the most creative tools on a pedalboard because it can support simple lead lines, fill space in a mix and completely transform a part.

Tags

Delay

Delay pedals repeat the guitar signal to create echoes, rhythmic patterns and spacious textures ranging from short slapback repeats through to huge ambient soundscapes. Different delay styles such as analogue, digital and tape-inspired circuits all produce their own character and response.

Delay is one of the most creative effects available because it can add depth, groove and atmosphere without overwhelming the original guitar tone. It is widely used across rock, blues, indie, ambient, progressive and experimental music.