Asheville Music Tools ACV-1 Analog Chorus / Vibrato Pedal

£399.00

Next up on the JustPedals smorgasbord, is tasty Chorus Pedals from Asheville, delivered to any location in the UK. Their Chef has a lot to offer here with the Asheville Music Tools ACV-1 Analog Chorus / Vibrato Pedal. It is in stock, it is NEW, its delivered in a nice box and it is delivered fresh to any location in the UK at a great price.. Just Read more Chorus Pedals details below.


Description

The JustPedals team think the Asheville Music Tools ACV-1 Analog Chorus / Vibrato Pedal is a tasty New Chorus Pedals option for your smorgasbord (pedalboard). Just Read More for images videos and latest prices from the Asheville brand and delivered by a UK retailer, with warranty & more.

The Analoger™ Series ACV-1 is our latest creation in 100% analogue flexible chorus/vibrato/slap back modulation effects. The ACV-1 consists of a modulated BBD delay line with a flexible supporting cast of synthesiser-inspired controls. On the surface, the ACV-1 is simply a highly tweakable classic chorus. In reality, it is a veritable powerhouse of time warping modulation effects: shimmering comb filter swirls, luscious true pitch vibrato, glitchy textures, ringing metallic pipe tones, and even a faux reverb.

This astounding analogue modulator was engineered by Hawker to deliver the ultimate time warping experience. With a bit of a mind flip, you’ll be into the time slip—and nothing will ever be the same!

At the heart of every chorus is a short delay whose time is modulated by a low-frequency oscillator (LFO). The ACV-1 uses a 1024-stage X-Vive™ high-voltage MN3007 BBD chip for its delay line. Mixing that delay back in with the original signal produces the familiar, lush sound of chorused voices in unison.

Many choruses keep the delay time fixed, but our Time knob lets you warp through the decades of chorus. Start in the middle for a tight ’70s-style chorus. Go longer for a drippy 80’s chorus and a warm slap delay, or go shorter for flanging tones.

Another uncommon addition is our Feedback knob with phase options. This lets you deepen the chorus effect and explore more exotic metallic or vocal sounds. At high feedback settings you can use the Time knob to dial in peaks and notches for resonant sounds, like a pipe or a bell. The Tone control changes the frequency response of the feedback loop to make your chorus more shimmery, or more dark and haunting. Utilizing the phase switch you can produce hollow, deep vocal sounds akin to a talk box.

Our LFO includes multiple waveforms: triangle for classic chorus sounds, sine for gooey vibrato, and square wave for rhythmic glitches and pitch jumps. The Rate and Amount controls have a huge range from subtle dimension to complete time warping madness. Or you can zero out the LFO to explore double-tracking effects, static comb filtering, and short delay.

The Mix control has a range from fully off to 100% wet, which lets you dial in subtle sounds or go all-in for true analogue pitch vibrato. These settings are great for Leslie organ sounds or tape-like warble. The Tone control is even more useful here as a way to sculpt the overall tone of your wet signal.

Finally, the CV jack rewards more intrepid sonic explorers with an even wider range of control. Increase the feedback into self-oscillation, push the LFO beyond its limit to audio rates, or drop the delay time into a lo-fi, ring-modulated soundscape. With its thoroughly engineered set of features, the ACV-1 synthesises decades of time warping modulation effects to inspire a whole new dimension of sounds.

Specifications

Electrical Specifications

  • Type: 100% Analogue signal and control path.
  • Bypass Footswitch: effect on/off user selectable True Bypass or JFET Buffered (Accessible by removing ACV-1 Cover)
  • Power: 9VDC @ <150ma. 70-90ma=”” typical=”” up=”” to=”” 250ma=”” start-up=”” standard=”” pedal=”” centre=”” negative=”” 2=”” 1mm=”” x=”” 5=”” 5mm=”” barrel=”” li=””>
  • Delay Time: 3.1ms – 59ms. 1.9ms – 95ms with LFO and to 155ms with external CV
  • Feedback: 0 to near infinite. Capable of self-oscillation using tone or EXP/CV input coupled with knob position.
  • Rate: LFO RATE, from 0.1Hz to 14Hz (28Hz with CV control)
  • Amount: LFO depth control from OFF to 60% of TIME sweep
  • Mix: Centre 50%. Adjust from full wet to full dry
  • Tone: ~740Hz centre tilt filter. Centre = Flat to 0.3dB, High +5dB to -10dB, Low +4dB to -7dB.
  • Phase Switch: 180° phase shift of wet signal and feedback signal.
  • LFO: Selectable Triangle, Sine or slewed Square wave
  • Expression Switch: 4 position rotary selects Time, Feedback, Rate or Amount external control. All controls are additive to the front panel knob adding extended range. TRS jack usable with CV or Expression pedal, (CV range is 0-5V). Ring supplied current limited 5V output. Control input on Tip.
  • Input impedance: >1MΩ
  • Output impedance: 1KΩ Max (5k max for buffered bypass)
  • Max input level: +14.25dBµ (4.0V RMS)
  • Max output level: +14dBµ (3.9V RMS)
  • Noise Reduction: 2:1 broadband with 10dB high frequency emphasis

Physical Specifications

  • Genuine Hammond™ die-cast aluminium enclosure.
  • Dimensions: D=4.95” (12.5 cm), W=3.75” (9.4 cm), H=2.25” (5.8 cm)
  • Weight: 15oz (425g)

Brand

Asheville

Category

Chorus Pedals

Chorus pedals thicken your guitar sound by blending the dry signal with a slightly delayed and modulated copy. The result can range from a gentle shimmer to a wide, lush, 1980s-style modulation effect that makes clean tones feel bigger and more spacious.

They are often used on clean arpeggios, jangly rhythm parts, fretless-style bass tones and dreamy ambient passages. A chorus pedal is a great choice if you want movement, width and a more polished sound without completely changing the character of your playing.

Modulation Pedals

Modulation Pedals is a useful category for players looking to shape their guitar or bass sound in a more focused way. Products in this area can help with tone, control, routing, performance or creative sound design depending on the exact type of gear involved.

For anyone building a pedalboard, modulation pedals options can help fill a specific gap in the signal chain or open up new sounds that are difficult to achieve with an amp alone. They are worth exploring when you want a more personal, flexible and practical setup.

Tags

analog

analog pedals and related effects are commonly used by guitarists looking to shape their tone in a more focused and creative way. Different designs offer their own response, feel and tonal character depending on the style of music and the type of amplifier or guitar being used.

Many players build pedalboards gradually over time, combining different effects and utilities to create a setup that suits their own sound and workflow. analog related gear can play an important role in both live performance and studio recording.

Chorus

Chorus pedals create the illusion of multiple guitars playing together by blending the dry signal with a subtly modulated duplicate. The result ranges from gentle shimmer and width through to lush swirling modulation associated with classic 1980s guitar tones.

Chorus remains popular for clean arpeggios, ambient textures, fretless-style bass sounds and atmospheric rhythm playing. Stereo chorus pedals can create especially wide and immersive sounds.

Vibrato

Vibrato pedals and related effects are commonly used by guitarists looking to shape their tone in a more focused and creative way. Different designs offer their own response, feel and tonal character depending on the style of music and the type of amplifier or guitar being used.

Many players build pedalboards gradually over time, combining different effects and utilities to create a setup that suits their own sound and workflow. Vibrato related gear can play an important role in both live performance and studio recording.