Asheville Music Tools ACV-1 Analog Chorus / Vibrato Pedal in Textured Black

£399.00

Asheville Guitar Pedals are fresh in, this is a New one & the Just Pedals team think it is a very nice one too. Good news ! This can be delivered straight to your door, quickly and securely, anywhere in the UK & Europe. For more info on this New Guitar Pedals, please read on […]

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Asheville Guitar Pedals are fresh in, this is a New one & the Just Pedals team think it is a very nice one too. Good news ! This can be delivered straight to your door, quickly and securely, anywhere in the UK & Europe. For more info on this New Guitar Pedals, please read on for full details, demos, videos, reviews and order online.

The Analoger™ Series ACV-1 is our latest creation in 100% analogue flexible chorus/vibrato/slap back modulation effects. The ACV-1 consists of a modulated BBD delay line with a flexible supporting cast of synthesiser-inspired controls. On the surface, the ACV-1 is simply a highly tweakable classic chorus. In reality, it is a veritable powerhouse of time warping modulation effects: shimmering comb filter swirls, luscious true pitch vibrato, glitchy textures, ringing metallic pipe tones, and even a faux reverb.

This astounding analogue modulator was engineered by Hawker to deliver the ultimate time warping experience. With a bit of a mind flip, you’ll be into the time slip—and nothing will ever be the same!

At the heart of every chorus is a short delay whose time is modulated by a low-frequency oscillator (LFO). The ACV-1 uses a 1024-stage X-Vive™ high-voltage MN3007 BBD chip for its delay line. Mixing that delay back in with the original signal produces the familiar, lush sound of chorused voices in unison.

Many choruses keep the delay time fixed, but our Time knob lets you warp through the decades of chorus. Start in the middle for a tight ’70s-style chorus. Go longer for a drippy 80’s chorus and a warm slap delay, or go shorter for flanging tones.

Another uncommon addition is our Feedback knob with phase options. This lets you deepen the chorus effect and explore more exotic metallic or vocal sounds. At high feedback settings you can use the Time knob to dial in peaks and notches for resonant sounds, like a pipe or a bell. The Tone control changes the frequency response of the feedback loop to make your chorus more shimmery, or more dark and haunting. Utilizing the phase switch you can produce hollow, deep vocal sounds akin to a talk box.

Our LFO includes multiple waveforms: triangle for classic chorus sounds, sine for gooey vibrato, and square wave for rhythmic glitches and pitch jumps. The Rate and Amount controls have a huge range from subtle dimension to complete time warping madness. Or you can zero out the LFO to explore double-tracking effects, static comb filtering, and short delay.

The Mix control has a range from fully off to 100% wet, which lets you dial in subtle sounds or go all-in for true analogue pitch vibrato. These settings are great for Leslie organ sounds or tape-like warble. The Tone control is even more useful here as a way to sculpt the overall tone of your wet signal.

Finally, the CV jack rewards more intrepid sonic explorers with an even wider range of control. Increase the feedback into self-oscillation, push the LFO beyond its limit to audio rates, or drop the delay time into a lo-fi, ring-modulated soundscape. With its thoroughly engineered set of features, the ACV-1 synthesises decades of time warping modulation effects to inspire a whole new dimension of sounds.

Specifications

Electrical Specifications

  • Type: 100% Analogue signal and control path.
  • Bypass Footswitch: effect on/off user selectable True Bypass or JFET Buffered (Accessible by removing ACV-1 Cover)
  • Power: 9VDC @ <150ma. 70-90ma=”” typical=”” up=”” to=”” 250ma=”” start-up=”” standard=”” pedal=”” centre=”” negative=”” 2=”” 1mm=”” x=”” 5=”” 5mm=”” barrel=”” li=””>
  • Delay Time: 3.1ms – 59ms. 1.9ms – 95ms with LFO and to 155ms with external CV
  • Feedback: 0 to near infinite. Capable of self-oscillation using tone or EXP/CV input coupled with knob position.
  • Rate: LFO RATE, from 0.1Hz to 14Hz (28Hz with CV control)
  • Amount: LFO depth control from OFF to 60% of TIME sweep
  • Mix: Centre 50%. Adjust from full wet to full dry
  • Tone: ~740Hz centre tilt filter. Centre = Flat to 0.3dB, High +5dB to -10dB, Low +4dB to -7dB.
  • Phase Switch: 180° phase shift of wet signal and feedback signal.
  • LFO: Selectable Triangle, Sine or slewed Square wave
  • Expression Switch: 4 position rotary selects Time, Feedback, Rate or Amount external control. All controls are additive to the front panel knob adding extended range. TRS jack usable with CV or Expression pedal, (CV range is 0-5V). Ring supplied current limited 5V output. Control input on Tip.
  • Input impedance: >1MΩ
  • Output impedance: 1KΩ Max (5k max for buffered bypass)
  • Max input level: +14.25dBµ (4.0V RMS)
  • Max output level: +14dBµ (3.9V RMS)
  • Noise Reduction: 2:1 broadband with 10dB high frequency emphasis

Physical Specifications

  • Genuine Hammond™ die-cast aluminium enclosure.
  • Dimensions: D=4.95” (12.5 cm), W=3.75” (9.4 cm), H=2.25” (5.8 cm)
  • Weight: 15oz (425g)

Additional information

Weight 0.5 kg

Tasty Pedals made by Asheville

Just Pedal Ingredients.

/. ACV-1. Analog — Analog pedals use real electrical components like transistors, diodes, and capacitors to shape your sound in a natural, organic way. They respond to your playing with warmth and character, often adding a touch of unpredictability that feels alive. Think of analog tone like cooking over an open flame — rich, dynamic, and full of subtle flavour that digital precision can’t quite replicate.. Chorus — A chorus pedal works by splitting your signal, slightly delaying one part and modulating its pitch before blending it back with the original. The result is a rich, shimmering tone that feels wide and fluid, almost as if several guitars are playing together in unison. It’s an effect that can add life and movement to your playing, making clean tones sound lush and dreamy or adding a subtle shimmer to warm overdrive. From the classic 80s shimmer heard on countless records to modern ambient textures, the chorus effect remains timeless. Whether you want a gentle swirl for rhythm parts or a deep, detuned wash for atmospheric soundscapes, a good chorus pedal brings space and dimension to your tone. It’s a staple on many pedalboards for its ability to transform even the simplest chords into something spacious and expressive.  . Guitar Pedals. in. Music. New. Pedal — Your pedal is like a signature dish for your sound — a flavour-packed creation that transforms the bland ingredients of your guitar into something unforgettable. Each one adds its own seasoning, texture, and heat, turning a simple meal into a feast of tone. These tasty little boxes sit in a row, like plates on a buffet, letting you mix and match flavours as you play. With one tap of your foot, you can swap sweet for spicy, subtle for smoky, and serve up something completely new. From the comfort food of warm overdrive to the fiery kick of fuzz, from smooth jazz sauce to heavy-metal spice, pedals give players a full menu of options to express their taste.  And just like with food — once you’ve tried one dish, you’ll want to sample them all. Collecting, trading, and discovering new flavours soon becomes part of the joy of being a tone-loving gourmet geek with a guitar.. Tools. Vibrato — Vibrato is an effect commonly used in music, particularly in guitar playing, that involves modulating the pitch of a note to create a wavering or trembling sound. It adds a dynamic and expressive quality to the music, enhancing the richness and depth of individual notes or chords. Here’s how vibrato works and some common features of vibrato effects: 1. **Pitch Modulation**: Vibrato effect pedals modulate the pitch of the guitar signal, causing it to oscillate above and below the original pitch at a controlled rate and depth. This creates a shimmering or undulating effect similar to the natural vibrato produced by a vocalist or instrumentalist. 2. **Controls**: Vibrato pedals typically offer controls for adjusting the rate (speed) and depth (intensity) of the pitch modulation. The rate control determines how quickly the pitch oscillates, while the depth control determines the extent of the pitch modulation. 3. **Waveform Options**: Some vibrato pedals provide options for selecting different waveform shapes, such as sine wave, triangle wave, or square wave. Each waveform shape produces a different character of vibrato, ranging from smooth and subtle to choppy and pronounced. 4. **Expression Pedal Compatibility**: Many vibrato pedals are compatible with expression pedals, allowing players to control the rate or depth of the vibrato effect in real-time using their foot. This adds a dynamic and expressive element to the performance, allowing for greater control over the vibrato effect. 5. **True Bypass**: Like many other effects pedals, vibrato pedals may feature true bypass circuitry to ensure that the pedal does not color or degrade the guitar signal when it’s not in use. True bypass preserves the tone and integrity of the instrument’s sound when the pedal is bypassed. 6. **Blend Control**: Some vibrato pedals include a blend control that allows players to mix the wet (effected) and dry (unaffected) signals. This enables subtle blending of the vibrato effect with the original guitar signal, preserving clarity and definition while adding depth and texture. 7. **Vintage vs. Modern Voicing**: Vibrato pedals may offer different voicing options to emulate the characteristics of vintage vibrato effects or provide more modern and versatile tones. Vintage-style vibrato pedals often replicate the sound of classic amplifier vibrato circuits, while modern pedals may offer enhanced features and flexibility. Overall, vibrato pedals are versatile tools for adding movement, texture, and expression to guitar tones. Whether used subtly to add warmth and depth to clean passages or dialed in for dramatic pitch modulation effects, vibrato pedals offer guitarists a wide range of creative possibilities for shaping their sound..

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