Ashdown Triple Shot Three band 3 in 1 Distortion Pedal

£199.00

This is a New Ashdown Triple Shot Three band 3 in 1 Distortion Pedal from Ashdown is in our Distortion Pedals category on Just Pedals. Read More below.

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The Ashdown Triple Shot Distortion Pedal offers uncompromising high-gain bass overdrive, granting you complete mastery over your overdriven tones. Imagine having three distinct distortion pedals in one sleek unit.

With separate controls for “Dark,” “Medium,” and “Light” frequencies, you can sculpt your sound precisely, from thick and chunky lows to high-gain trebles. Whether you need a subtle mid-range boost or a roaring overdriven bass sound, the Triple Shot delivers. Its sensitivity means even subtle tweaks can create a world of difference. The Ashdown Triple Shot is the ultimate tool for crafting your unique drive sound.

Specifications

  • Power Requirements: 9 Volt. Power Required
  • H x W x D (mm): 145.50 x 116.20 x 65
  • Weight (kg): 1.15

Brand

Ashdown

In the current JustPedals catalogue, Ashdown is represented by Distortion Pedals, Preamp & DI Pedals and Wah & Filter Pedals. Current listings include Studio One Compressor, Type 23 Dynamic and Valve Pre-DI. That makes the range relevant to players looking for drive, gain and clipping, plus modelling, direct rigs and multi-effects. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Distortion Pedals

Distortion clips the waveform more firmly than overdrive, generating dense upper harmonics, longer sustain and a more compressed response. Circuit topology and filtering decide whether the sound is tight and focused, broad and aggressive, smooth or deliberately abrasive. Gain sets the amount of clipping, while pre- and post-distortion tone controls strongly influence low-end definition, midrange presence and high-frequency texture.

Tags

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.