The Ashdown Triple Shot is a powerful multi-band bass overdrive pedal that gives you complete control over your sound. Rather than applying the same drive across your entire signal it splits your bass into three frequency bands before processing each with its own dedicated distortion circuit. This unique approach preserves clarity while allowing you to shape lows mids and highs independently. Compact rugged and pedalboard-friendly its built for bassists who want maximum flexibility without sacrificing low-end impact. Each frequency band features its own highly responsive Roast control making it easy to blend together rich low-end saturation punchy mids and cutting treble drive in almost limitless combinations. Small adjustments produce dramatic tonal changes allowing you to fine-tune your sound for any musical setting. Whether youre adding definition to your live rig crafting layered distortion in the studio or pushing your amplifier into aggressive modern tones the Triple Shot delivers precise dynamic overdrive that remains unmistakably bass-focused.
Ashdown The Triple Shot 3-in-1 Distortion Pedal
This is a New Ashdown The Triple Shot 3-in-1 Distortion Pedal from Ashdown is in our Distortion Pedals category on Just Pedals. Read More below.
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Brand
Ashdown
In the current JustPedals catalogue, Ashdown is represented by Distortion Pedals, Preamp & DI Pedals and Wah & Filter Pedals. Current listings include Studio One Compressor, Type 23 Dynamic and Valve Pre-DI. That makes the range relevant to players looking for drive, gain and clipping, plus modelling, direct rigs and multi-effects. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.
Category
Distortion Pedals
Distortion clips the waveform more firmly than overdrive, generating dense upper harmonics, longer sustain and a more compressed response. Circuit topology and filtering decide whether the sound is tight and focused, broad and aggressive, smooth or deliberately abrasive. Gain sets the amount of clipping, while pre- and post-distortion tone controls strongly influence low-end definition, midrange presence and high-frequency texture.
Tags
Bass
Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.
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