Brand
In the current JustPedals catalogue, AllPedal is represented by Distortion Pedals and Delay & Reverb Pedals. Current listings include Steel Panther Signature Delay Distortion and Devils Triad Jeff Loomis Signature Distortion Boost Delay Reverb. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.
Category
Distortion pedals use stronger or more deliberate clipping than a typical overdrive, adding harmonics, compression and sustain. Some are voiced for amp-like crunch, others for high-gain rhythm or a deliberately abrasive texture. Gain, tone, presence, resonance and output controls determine how the pedal interacts with the amplifier and pickups; a blend or noise gate can preserve clarity in heavier settings. Placement changes the result, so check whether the design is intended to push an amp, run into a clean platform or feed a direct cabinet simulation.
Tags
Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.
Delay repeats the input after a set time. Feedback controls how long the repeats continue, while filtering, modulation, saturation and mix shape their character and prominence. Tap tempo can set rhythmic timing hands-free, and presets or MIDI can recall several timings. Check maximum delay time, spillover, trails, stereo routing, headroom and whether the pedal is analogue, tape-style or digital when the repeat response is important.
True bypass removes the effect circuit from the audio path when bypassed, usually by mechanical, relay or switching circuitry. This can preserve the direct signal but does not automatically solve long-cable loading, and it may create a pop or leave no buffer for the rest of the board. Check the actual switching method, trails or spillover, input and output loading and the number of other true-bypass pedals in the chain.
