Alexander Pedals Velvet Noise Stereo Widener Pedal

£179.00

This is the Alexander Pedals Velvet Noise Stereo Widener Pedal from Alexander Pedals, listed in Specialist Effects Pedals on Just Pedals. Read More below.

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The Alexander Pedals Velvet Noise is a compact stereo widener designed to make your guitar, synth or mix feel bigger, deeper and more immersive without wrecking your tone. Using a velvet-noise decorrelation algorithm rather than traditional phase tricks, it creates a wide, airy stereo image that still holds together when summed to mono and keeps your centre image rock solid. At its heart is a single Width control that takes you from your untouched dry signal through natural-sounding stereo expansion and into gently animated movement at higher settings. Whether you are widening a mono pedalboard into a lush stereo rig, adding space to a synth or giving your mix bus a subtle 3D lift, Velvet Noise delivers studio-style spatial processing in a simple, pedalboard-friendly box. Unlike many stereo wideners, Velvet Noise is designed to preserve transients and avoid the obvious comb filtering and pitch artefacts that can make wide sounds feel artificial. The Spin Semiconductor FV-1 DSP runs independent random sequences on each channel, while a discrete JFET input stage and carefully tuned analogue circuitry keep your signal clean, quiet and responsive underfoot. With top-mounted jacks, buffered bypass and the ability to accept mono or stereo input while always outputting stereo, Velvet Noise drops neatly into modern pedalboard layouts and studio setups alike. From subtle width on your always-on board to dramatic stereo separation for ambient soundscapes, it is an elegant solution for anyone chasing a wider, more spacious sound. Velvet-noise decorrelation Velvet Noise uses a decorrelation algorithm to make the left and right channels genuinely less similar, rather than simply shifting phase or EQ. This gives you a convincing sense of width that stays stable when summed to mono and does not hollow out the centre of your sound, making it ideal for live rigs and recording. Simple, musical Width control The single Width knob keeps operation fast and intuitive. At minimum you hear your dry signal, the middle of the control delivers maximum decorrelation for natural stereo spread, and higher settings introduce subtle modulation for extra movement. You can quickly dial in anything from a barely-there widening to dramatic stereo separation. Flexible mono or stereo integration Velvet Noise accepts either mono or stereo input via its 1/4″ TRS jack, with the factory configuration set for Mono In, Stereo Out. This makes it easy to place after mono drives, compressors or filters and before stereo delays or reverbs, or to process full stereo rigs and synths while always delivering a spacious stereo output. Clean, low-noise digital processing A Spin Semiconductor FV-1 DSP runs the velvet-noise algorithm with independent random sequences per channel, while the discrete JFET input preamp and tailored analogue section keep noise low and transients intact. Minimal latency helps preserve the immediate feel of your playing, so the effect feels like part of your core sound rather than an added layer.Key Features Velvet-noise stereo widening – The decorrelation algorithm widens the stereo image by making the left and right channels less similar, maintaining a solid centre and avoiding the phasey, comb-filtered sound of many traditional wideners. Single Width control with modulation – One knob moves from dry through maximum decorrelation into gentle modulation, letting you set subtle enhancement or animated width in seconds without menu diving or complex tweaking. Mono in, stereo out flexibility – The pedal processes mono or stereo sources and always outputs stereo, so you can turn a mono pedal chain into a spacious stereo rig or enhance existing stereo setups with extra depth and dimension. Low-noise, pedalboard-friendly design – Discrete JFET input, buffered bypass, top-mounted jacks and compact dimensions make Velvet Noise quiet, reliable and easy to integrate into modern pedalboards and studio workflows. SpecificationsGeneral Pedal Type: Stereo / Utility …

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Brand

Alexander Pedals

Alexander Pedals is a renowned manufacturer of guitar effects pedals, known for its innovative and high-quality products. Founded by Matthew Farrow in North Carolina, the company has gained a reputation for blending cutting-edge digital technology with classic analogue tones. Alexander Pedals offers a wide range of effects, including delays, reverbs, overdrives, and modulation effects, catering to musicians seeking versatile and creative sound options. Each pedal is crafted with attention to detail, featuring intuitive controls and sturdy construction, making them a popular choice among professional and amateur musicians alike. The company’s pedals are often praised for their unique soundscapes and user-friendly interfaces, allowing musicians to experiment with a wide variety of tones and effects.

One of the standout features of Alexander Pedals is the inclusion of the Neo Series, which incorporates digital control over analogue signal paths, allowing for presets, MIDI functionality, and expression control. This innovation enables musicians to easily switch between different settings and integrate the pedals seamlessly into complex setups. Alexander Pedals is also known for its commitment to continuous improvement and customer feedback, regularly updating firmware and introducing new models to meet the evolving needs of guitarists. The company has built a loyal community around its products, with musicians appreciating the blend of creativity, quality, and versatility that Alexander Pedals consistently delivers.

Category

Specialist Effects Pedals

Specialist effects alter the signal in ways that do not sit cleanly inside one established family. They may use granular processing, frequency shifting, resonators, freeze or sustain, bit reduction, ring modulation, feedback networks or combinations of several techniques. The relevant distinction is the underlying process, its tracking or latency, and how completely the dry signal can be blended or replaced.

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Analogue

The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.

Buffered Bypass

Keeps an active buffer in the signal path when the effect is bypassed. The buffer converts a high-impedance input to a lower-impedance output, helping long cables and multiple pedals retain level and high frequencies, although its headroom and noise remain part of the path.

Stereo

Processes, creates or passes two audio channels. True stereo preserves separate left and right inputs, while mono-to-stereo effects generate spatial differences internally; routing, phase behaviour and whether trails remain stereo determine the resulting image. Some outputs sum to mono when only one socket is connected, which can change level or modulation depth.