Boss SL-2 Slicer Pedal

£154.99

This is a New Boss SL-2 Slicer Pedal from Boss, listed in Specialist Effects Pedals on Just Pedals. Read More below.

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The Boss SL-2 Slicer is an inspiring creative tool packed with colourful sonic grooves and rhythmic energy. It works by "slicing" up your sound into unique percussive patterns, many of which include internal filters and effects, adding a new dimension to your rig. An evolution of the famous SL-20 Slicer, the SL-2 offers expanded capabilities in the smaller, pedalboard-friendly Boss compact format you know and love.

The SL-2 elevates your performances with 88 onboard patterns with the option to tap into more via the Boss Tone Studio app. Tweak slices on the fly and sync to songs via the tap tempo and MIDI functions. Mostly importantly though, the SL-2 is fun and easy to use, opening up a wealth of creative options to guitarists, keyboardists, DJs, beatmakers, and more!

Key Features

  • The famous BOSS Slicer effect in an advanced compact pedal 
  • Instantly create compelling sonic grooves with single and dual Slicer paths processed with multiple internal effects  
  • 88 memory locations with pre-loaded patterns (eight types with 11 variations for each)
  • Control the wave shape and length of sliced audio with Attack and Duty knobs
  • Adjust the overall effect level with +/-12 dB range
  • Mono/stereo input and output for integration with any setup
  • Seven stereo output modes: Fixed, EFX/Direct, Random, Ping-Pong, Auto, 3D Cross, and 3D Rotation 
  • Connect to the BOSS Tone Studio app (macOS/Windows) via USB to explore and load alternate patterns
  • Control bypass and tap tempo with the onboard pedal switch
  • Connect up to two footswitches or an expression pedal for external parameter control   
  • TRS MIDI input for clock sync and CC control
  • BOSS five-year warranty

Specifications

  • Foot-Sample Rate: 48 kHz
  • AD Conversion: 24 bits + AF method – AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.
  • DA Conversion: 32 bits
  • Patterns: 88
  • Nominal Input Level: INPUT A (MONO), INPUT B: -20 dBu
  • Maximum Input Level: INPUT A (MONO), INPUT B: +7 dBu
  • Input Impedance: INPUT A (MONO), INPUT B: 1 MΩ
  • Nominal Output Level: OUTPUT A (MONO), OUTPUT B: -20 dBu
  • Maximum Output Level: OUTPUT A (MONO), OUTPUT B: +7 dBu
  • Output Impedance: OUTPUT A (MONO), OUTPUT B: 1 kΩ
  • Recommended Load Impedance: OUTPUT A (MONO), OUTPUT B: 10 kΩ or greater
  • Bypass: Buffered bypass
  • Controls: TYPE, VARIATION, ATTACK, DUTY, TEMPO, BALANCE, Pedal switch
  • Indicator: CHECK indicator (Used for indication of Tempo and check battery)
  • Connectors: INPUT A (MONO) jack, INPUT B jack, OUTPUT A (MONO) jack, OUTPUT B jack: 1/4-inch phone type, CTL/EXP jack: 1/4-inch TRS phone type, DC IN jack, MIDI IN jack: Stereo miniature phone type, USB port: USB B
  • Power Supply: Alkaline battery (9 V, 6LR61 or 6LF22, commercially available) AC adaptor (PSA series: sold separately)
  • Current Draw: 95 mA
  • Expected battery life under continuous use (These figures will vary depending on the actual conditions of use.) Alkaline: Approx. 2.5 hours
  • Dimensions: 73 (W) x 129 (D) x 59 (H) mm, 2-7/8 (W) x 5-1/8 (D) x 2-3/8 (H) inches
  • Weight (including battery): 450 g, 1 lb
  • Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Dry battery (9 V, 6LR61 or 6LF22)

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Brand

Boss

In the current JustPedals catalogue, Boss is represented by Multi-Effects Pedals, Delay Pedals and Distortion Pedals. Current listings include PW-3 Wah, PX-1 Plugout FX and FZ-5 Fuzz. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Specialist Effects Pedals

Specialist effects alter the signal in ways that do not sit cleanly inside one established family. They may use granular processing, frequency shifting, resonators, freeze or sustain, bit reduction, ring modulation, feedback networks or combinations of several techniques. The relevant distinction is the underlying process, its tracking or latency, and how completely the dry signal can be blended or replaced.

Tags

MIDI

MIDI sends, receives or responds to Musical Instrument Digital Interface messages rather than carrying instrument audio itself. Program changes can recall presets, continuous controllers can move parameters and MIDI clock or transport messages can synchronise timing. Check the connector or USB method, channel and message support, clock direction, latency and whether the device needs a separate MIDI host or adapter. MIDI control is powerful, but compatibility depends on the exact messages each product understands.

Stereo

Stereo products provide separate left and right audio paths, which may widen modulation, preserve independent delays or route a pedalboard into two amplifiers or a mixer. Input and output behaviour is not always symmetrical: some units sum a stereo input, while others create stereo from a mono source. Check whether the effect collapses safely to mono, how the dry signal is routed, the socket format and the destination’s panning and phase requirements.

Tap Tempo

Tap tempo lets a player set delay, modulation, tremolo or looper timing by tapping a footswitch. The implementation may be a dedicated switch, an external input, MIDI clock or a combination, and the supported timing divisions vary. Check whether the tempo is stored, whether tap is momentary or latching, how quickly the effect follows changes and which blocks respond. Tap tempo is useful only when the control connection and timing range match the workflow.