Orange King Comp Compressor Pedal

£159.00

This is a New Orange King Comp Compressor Pedal from Orange is in our Compressor Pedals category on Just Pedals. Read More below.

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The King Comp is a super low-noise Class A VCA compressor pedal that brings studio-style dynamics to your pedalboard. From subtle squish to bold sustain, it enhances your tone with clarity and warmth without losing touch sensitivity. Use it to tighten your clean tone and smooth out single-note lines, whether you’re playing guitar or bass. The tweakable attack and release knobs allow you to shape your tone to perfection, meaning that whether you’re after subtle polish or full-on squash, the King Comp gives you precise dynamic control with a musical feel that responds like a great amp.

Key Features

  • VCA Compressor Pedal
  • Volume, Compression, Attack and Release Controls
  • 18V DC Power Supply

Specifications

  • Analogue/Digital: Analogue
  • Power: 18 VDC
  • Controls: Volume, Compression, Release, Attack
  • Mono/Stereo: Mono

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Brand

Orange

In the current JustPedals catalogue, Orange is represented by Preamp & DI Pedals, Looper Pedals and Compressor Pedals. Current listings include Pedal Baby Gigbag, Fur Coat Fuzz and Getaway Driver. That makes the range relevant to players looking for drive, gain and clipping, plus modelling, direct rigs and multi-effects. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Compressor Pedals

Compression reduces the difference between louder and quieter parts of the signal. It can restrain peaks, lift decaying notes and make picking feel more even, but strong settings also change the attack and add audible sustain or pumping. Threshold, ratio, attack, release and blend determine when gain reduction begins, how firmly it acts and how much natural transient detail remains.

Tags

Analogue

The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.

Digital

Converts the signal or control process into numerical data for algorithmic processing. Digital designs can provide precise timing, long memory, complex routing and repeatable presets; sample rate, conversion, internal resolution and latency influence fidelity and response.

Stereo

Processes, creates or passes two audio channels. True stereo preserves separate left and right inputs, while mono-to-stereo effects generate spatial differences internally; routing, phase behaviour and whether trails remain stereo determine the resulting image. Some outputs sum to mono when only one socket is connected, which can change level or modulation depth.