The JHS Pedals Crayon Direct-In Distortion is a preamp and distortion pedal moving on from its predecessor the JHS colour box to a more streamlined and simple design. The controls featured on this unit are Master Pre Tilt and Hi-Pass. These controls give you optimal reign over your parameters letting you sculpt the sound you require. The Crayon excels at Direct-In fuzz tones but with its versatile control options you can achieve any sound you desire from subtle overdrive to the classic full-on distortion. Finished in a glossy white and red paint this durable and highly versatile distortion/preamp unit is ideal for any guitar player.
JHS Pedals Crayon Direct-In Distortion
This is the JHS Pedals Crayon Direct-In Distortion from JHS Pedals, listed in Distortion Pedals on Just Pedals. Read More below.
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Brand
JHS Pedals
JHS Pedals is a prominent manufacturer of guitar effects pedals, known for their high-quality craftsmanship, innovative designs, and commitment to tone. Founded in 2007 by Josh Scott in Kansas City, Missouri, JHS Pedals has quickly gained a reputation for producing boutique-quality pedals that cater to a wide range of musical styles and preferences.
JHS offers a diverse lineup of effects pedals, including overdrive, distortion, fuzz, modulation, delay, reverb, and more. The company is known for its meticulous attention to detail and dedication to producing pedals that deliver exceptional tone and versatility. Many of their pedals are designed to capture the tones of classic vintage effects while incorporating modern features and improvements.
In addition to their standard pedal lineup, JHS Pedals also offers a range of signature pedals in collaboration with renowned artists and musicians. These pedals are designed to meet the specific needs and preferences of the artists, providing them with unique tones and features for their playing style.
With a commitment to innovation and a passion for tone, JHS Pedals continues to be a trusted name in the guitar effects industry, providing musicians with inspiring tools to shape their sound and creativity.
Category
Distortion Pedals
Distortion clips the waveform more firmly than overdrive, generating dense upper harmonics, longer sustain and a more compressed response. Circuit topology and filtering decide whether the sound is tight and focused, broad and aggressive, smooth or deliberately abrasive. Gain sets the amount of clipping, while pre- and post-distortion tone controls strongly influence low-end definition, midrange presence and high-frequency texture.
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