Fulltone USA 70 Fuzz Pedal

Retailing in the region of £184.99

On the menu for January 2026 are the Fulltone Guitar Pedals, freshly added and carefully selected. These New units are available to order online with fast, secure delivery from trusted UK retailers. Read on for full details, specifications, demos, videos, reviews, and the best places to buy the Fulltone Guitar Pedals today.


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Description

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On the menu for January 2026 are the Fulltone Guitar Pedals, freshly added and carefully selected. These New units are available to order online with fast, secure delivery from trusted UK retailers. Read on for full details, specifications, demos, videos, reviews, and the best places to buy the Fulltone Guitar Pedals today.

Are you looking for a true fuzz experience that’s fuzzier than Elmo using a Van de Graaff generator? Look no further than the Fulltone 70-BC Fuzz Pedal! Don’t even glance at this little nut-case if you’re looking for a subtle sizzle, this is for the players who are searching for the full-on and fizzy personalities of authentic 1970’s fuzz!

Experience explosive performance with the 70-BC Fuzz Pedal from Fulltone. Purposefully combining two mismatched silicon transistors, incredible harmonic qualities have been achieved, giving you a pedal that’s as wild and outrageous as all of the Muppets put together!

In contradiction to its title, this is one pedal that won’t give you a ‘warm and fuzzy feeling’ inside… far from it! Pushing the level to its 10th position will completely blow your mind, so approach with caution! Its misleadingly mellow dark blue 16-gauge steel box, may stir calm and cool connotations, but don’t be fooled, this little powerhouse produces more insane fuzz than the Fulltone ’69 and boasts an additional mid control, giving you, the player, much-needed, extra clarity.

Key Features:

  • Classic Fuzz tones
  • Mismatched silicon transistors for harmonic content
  • Built to last from top-notch and custom-built components
  • Proprietary PCB board mounting method
  • Aggressive tone
  • Mid control for clarity and cut

Specifications:

  • Type: Fuzz
  • Inputs: 1 x Instrument
  • Outputs: 1 x 1/4″
  • Power Supply Included: No
  • Batteries: 1 x 9V
  • Height: 2.1″
  • Depth: 4.5″
  • Width: 2.5″
  • Weight: 1 lbs.

What Fulltone say about the 70-BC Fuzz Pedal:

Ever played an original FuzzFace from around 1970? (HINT: Not AT ALL the same sound as ones with the same namesake being mass-produced currently.) Ours has two intentionally mismatched (for harmonic content) silicon transistors that snarl and spit… not for the meek! If you put the “Fuzz” on 10 you will rip, and you might get all sorts of oscillation and weirdness… but that’s Rock. Don’t try using it with a wah wah… you can’t, and neither could Jimi, without it screaming and howling. You want polite and quiet? Go elsewhere. You want art in a box? Come on in.

Housed in a 16 gauge steel box and powder coated deep blue, this pedal is a bit unruly but with some warmth… ideal for older 4 input Marshall amps, it has much more FUZZ than the ’69 Pedal and includes a Mid control for extra clarity and cut.

I got my hands on Eric Johnson’s Blue Fuzzface that he used from Tones through Ah Via Musicom period (now owned by Ian Moore) and incorporated a few of its tonal secrets into the ’70 pedal with staggering sonic results!

Additional information

Weight 0.5 kg

Brand

Fulltone

Fulltone is a boutique guitar effects pedal manufacturer known for its high-quality, hand-built pedals designed to replicate vintage tones while incorporating modern features and reliability. Founded by musician and engineer Michael Fuller in 1991, Fulltone initially gained recognition with its flagship product, the Full-Drive overdrive pedal, which offered players a versatile range of overdriven tones inspired by classic tube amplifiers.

Since then, Fulltone has expanded its product line to include a variety of effects pedals such as fuzz, distortion, delay, modulation, and more. Each Fulltone pedal is meticulously crafted using top-quality components and circuit designs, resulting in pedals that are celebrated for their rich sound, responsiveness, and durability. Notable offerings include the OCD (Obsessive Compulsive Drive) overdrive/distortion pedal, the ’69 fuzz, and the TTE (Tube Tape Echo) tape echo emulator.

Fulltone’s commitment to excellence and its dedication to preserving the sonic legacy of vintage gear have made it a favorite among discerning guitarists and musicians seeking premium effects pedals. With a reputation for delivering exceptional tone and craftsmanship, Fulltone continues to be a prominent player in the boutique pedal market.

Category

Guitar Pedals

Tags

Fuzz

A fuzz pedal is one of the earliest and most aggressive forms of distortion, turning your clean guitar signal into a thick, saturated wall of sound. It works by clipping the waveform almost flat, creating a compressed, gritty tone full of harmonic overtones. The result is raw, unruly, and unmistakable — from the sputtering breakup of vintage germanium circuits to the searing sustain of modern silicon designs. Fuzz pedals react strongly to your guitar’s volume and pickup choice, making them dynamic tools for expressive players.

Whether you’re chasing the classic tones of Hendrix and the Smashing Pumpkins or exploring heavy, experimental textures, fuzz remains a favourite for its personality and unpredictability. It can sound smooth and sustaining, or wild and velcro-like, depending on how it’s set up. A good fuzz pedal cuts through the mix while adding thickness and attitude, turning any riff or lead line into something bold and unmistakably alive.

New

This is brand new, fresh in, and a UK warranty is included. New Gear always comes from trusted UK music retailers.

used

Wah

Wah refers to an expressive filter effect that sweeps through a range of frequencies, creating a vocal-like “wah” sound. Controlled in real time with a foot-operated treadle, it allows players to emphasise different parts of the frequency spectrum as they play. Wah pedals are commonly used for lead guitar, funk rhythm work, and expressive solos, responding closely to picking dynamics and foot movement.