Over the last few years, Behringer’s been on a proper mission: bringing back some of the world’s rarest and most desirable guitar pedals, but at prices that won’t make your wallet cry. They’ve now resurrected a cult classic from the ‘90s — a quirky boutique stompbox once favoured by the likes of Radiohead, The Edge (U2), Matt Bellamy (Muse) and plenty more top tone adventurers. Say hello to the Behringer Meatball Envelope Filter — your new secret weapon for spicing up your sound! Sonic playground With the Meatball’s comprehensive control set, you can shape every nuance of your tone. Adjust Sensitivity, Attack and Decay to match your playing dynamics, then fine‑tune Resonance and Colour to nail everything from subtle vowel‑like sweeps to sharp, funky peaks. The Blend knob lets you mix in just the right amount of dry signal, while the Filter and Bandwidth switches give you total command of how your sound moves across the frequency spectrum. A pedal that begs to be experimented with! Want to turn clean rhythm parts into pulsing, percussive grooves? Or give your bass lines a snarling, synth‑like edge? The Meatball’s got you covered. Stick it after a fuzz for gooey, squelchy madness. Or run it before a modulation pedal for swirling, animated textures. You can also add an expression pedal for hands‑on sweeps, or pair it with a compressor to really bring out the dynamics. Break the mould The Meatball thrives on variety. From tight funk chops and massive bass sweeps to modulated synth lines and wild studio sound design, this pedal is all about pushing boundaries. If you’re after a stompbox that sparks ideas, breaks rules and helps you create something truly unexpected — this is the one. Have fun!Key Features Envelope filter: Reacts to your playing dynamics for touch‑sensitive, expressive sweeps. Funky wah tones: Classic quack, vowel‑like tones and wah‑wah effects that ooze personality. Auto-triggering: Automatically engages the filter effect as you play. Sensitivity control: Tailor the pedal’s response to your instrument and playing style. Resonance knob: Crank it for sharp, peaky textures or dial it back for smoother sweeps. Blend control: Balance dry and wet signals to nail the perfect mix. Analogue circuitry: Employs old-school analogue tech for warm and organic tone. True bypass: Keeps your signal pure and pristine when the pedal’s off. Versatile design: Suitable for bass, guitar and other instruments. Rugged build quality: Tough enough to survive the gigging grind! Expression pedal input: Take manual control of the sweep for even more creative madness. Specifications Power Requirements: 9V DC, centre negative, > 400 mA Dimensions (H x W x D): 62.3 x 200.1 x 148.5 mm (2.45 x 7.90 x 5.85 inches) Weight : 1.05 kg (2.32 lbs)
Behringer Meatball Envelope Filter Pedal
This is a New Behringer Meatball Envelope Filter Pedal from Behringer its found in our Wah & Filter Pedals on the Just Pedals menu. Read More below.
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Brand
Behringer
Behringer was founded in 1989 by musician and sound engineer Uli Behringer, who began building equipment because he could not afford the studio gear he needed. The company has since grown into a broad audio supplier, and its JustPedals listings cover guitar, bass and utility units rather than effects alone. Examples include the DR600 digital reverb, EQ700 graphic equalizer, UT300 tremolo, BDI21 bass preamp, acoustic preamp and TU300 tuner. This spread makes model-level detail useful: check the instrument, circuit type and intended signal-chain role instead of assuming every Behringer listing is a guitar effect.
Category
Wah & Filter Pedals
Wah effects sweep a resonant band-pass or related filter through the frequency spectrum, creating the vowel-like movement associated with the treadle. Envelope filters move automatically in response to picking level, while fixed and sequenced filters use other control sources. Sweep range, resonance, direction, sensitivity and input loading determine whether the response is vocal, percussive, smooth or sharply synthetic.
Tags
Bass
Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.

















