The Red Muck is sure to put a few hairs on your chin! Jam Pedals brings you their take on the Sovtek style Muff from the era of big tunes and even bigger tones.
It’s guaranteed to spit out some serious saturation in a fuzz/distortion style, widening your sound to new levels. As well as your standard EQ controls, the Red Muck can be used in symmetrical or asymmetrical clipping modes, offering two general sets of tones. The rest comes down to your personal tweaking – but we’re sure you’ll want to hurry up and get on with the playing.
Here’s what Jam Pedals say about the Red Muck MK2
The Red Muck mk.2 puts on a few pounds, grows a new set of sharp teeth and is out to seduce even the most demanding Muff connoisseurs!
Inspired by the ’71 “triangle” and the later “Red Army / Civil War” Muffs, the Red Muck boasts a wider gamut of saturation and varied degrees of compression and sustain on tap.
The Boost footswitch engages a dedicated section of the circuit, separately tuned to hit the front end of the Red Muck and generate even fatter walls of Fuzz-Distortion or with the Gain set lower, function as a High-Gain-Stage footswitch.
The 2-way toggle-switch selects between symmetrical (exactly like the Red Muck mk.1) and asymmetrical “+” clipping modes! Be it early lyrical sustaining Muff tones or massive Stoner-Fuzz- Distortion wall of sound you are after, the Bear’s got your back!
ARTISTS USING THE RED MUCK:
David Hidalgo, Cesar Rosas, Jim Campilongo, Greg Koch, Dweezil Zappa, Adrian Legg, Guy Pratt, Robert Randolph, Julien Kasper, Sean Ono Lennon
ARTISTS QUOTES:
“Pure, unadulterated evil !! Splatty distortion and gobs of sustain. It’s going straight on the touring pedal board.” Sean Ono Lennon
“…the Red Muck has POWER !!!” Greg Koch
“Red Muck with minimum gain thickens like a fat humbucker pushing a small tube amp a little too hard!” Adrian Legg
“I warmly recommend the Red Muck” gilmourish.com
